Search results for 'Ora'

  Featuring a gorgeous 10-Top in Purple Mist. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

This beautifully aged classical guitar is from master luthier Jeronimo Peña Fernadez. Hand-dated in the soundhole at 1973. Featuring a solid Red Cedar top and quatersawn Brazilian Rosewood back and sides, the renowned warmth and balance of this instrument's tone is hard to overstate. This instrument was made at a time when Jerinimo Peña Fernandez was producing between 20 and 25 guitars a year in his workshop. The highly stylized guitars of Fernandez are perhaps most immediately identifiable for their intricate design details and overall original style. He learned this in the course of an apprenticeship in carpentry that began when he was only nine.

Taylor Builder’s Edition 517e Natural. In near mint condition. We've seen new guitars hanging in other stores that show more wear than this guitar. The neck is straight and true. The frets look perfect. It plays and sounds great. Taylor’s new modern Dreadnought body with all the Builder’s Edition upgrades. Torrified Spruce with vintage-hued looks, serves up projection and clarity with a touch of warmth. Silent satin finish helps give this guitar a little bit of vintage mojo. This slope shouldered dread with Taylor’s patented V Class Bracing resonates with finely honed balance of low-end power and clarity across the mid and upper registers. Premium features include chamfered body edges and a new compound carve neck profile help create a most comfortable playing experience. Contoured fretboard edges, ridgeless neck heel, and curved wing bridge provides even more playing comfort. Looks great, sounds great, comfortable playability, all in one. Raising the bar on your playing experience.

  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith's favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer

This Eastman SB59 features a Goldburst finish, and Seymour Duncan '59 pickups. Eastman makes an astonishing electric. Able to stand up to, and in many cases outclass some of the greats. If you're looking for a great guitar with fanstastic build-quality and playability; and loaded with all "the good stuff" in terms of hardware, pots, switches, pickups, fretwire, etc...then you need to be looking at these amazing instruments.

As the world sank into the Great Depression of the 1930’s the tri-cone suddenly was too expensive for most musicians to afford. John Dopyera created a second model that was less expensive to produce, but every bit as loud as his original. This was the single cone model, sometimes referred to as a “biscuit cone” because of the round wooden disc that sits atop a larger, single convex cone. This model became the choice instrument for the traveling Bluesmen of that era because of their incredible volume and rugged metal bodies. This 12-fret version, called the 'Delta Rocket', incorporates tricone grilles in place of the traditional f-holes.

Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. Visually, the 224ce-K DLX is appointed to inspire, sporting a full-body gloss finish with a shaded edgeburst that showcases koa's natural coloration. This model ships with ES2 electronics and a deluxe hardshell case.

If you're looking for a versatile acoustic-electric guitar with serious style, look no further than the 224ce DLX LTD in Trans Red. This model features a full-body gloss finish along with its gorgeous color treatment, and boasts a solid mahogany top with a warm, woody response that's perfect for a wide range of musical applications. The slender Taylor neck and accommodating Grand Auditorium body shape offer exceptional playing comfort along with an all-purpose tone profile that easily adapts across genres and playing styles. With built-in ES2 electronics for faithful amplified tone and a deluxe hardshell case for storage and transportation, the 224ce DLX LTD has everything you need for your musical pursuits.