Search results for 'bass head'

  Upgraded with Torrefied Sitka Spruce top, Adirondack Spruce Braces, and 1 3/4" nut width.
  The square-shouldered, 14-fret dreadnought is the poster boy of acoustic guitar body shapes. It's classic, but above all, practical. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar.
  Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles. Simply put, the Collings D1 will get the job done, and with grace and humility.

The Jumbo, or CJ, is Colling's version of the classic slope-shouldered dreadnought, a shape that has enjoyed renewed popularity in recent years. While the CJ is similar in width and depth to the traditional dreadnought, it has a distinctly different tone. CJ’s voice is deep and full-bodied, maximizing cut and power with a shimmery top end and quick response.

From Taylor's "Catch" event at the 2025 NAMM show, featuring a stunning array of custom models.
This C24ce features a versatile, accommodating cutaway Grand Auditorium body crafted with back, sides and top of beautifully variegated ribbon mahogany, this custom model produces a woody acoustic voice and a captivating visual aesthetic. Rich midrange tones with a strong fundamental focus and minimal overtones are complemented by the warmth and natural compression of the mahogany soundboard, while our innovative V-Class voicing architecture produces louder volume, longer sustain and improved harmony all the way up the neck. The gloss-finished body and satin-sheen mahogany neck and peghead boast a dusky, hand-sprayed shaded edgeburst color treatment. Other standout visual details include Island Vine fretboard and peghead inlays in Hawaiian koa and maple, a Hard Rock maple peghead logo, black body binding, a single-ring black/maple rosette, and a firestripe pickguard. Outfitted with satin black tuners and ES2 electronics, this inspiring custom build ships in a brown deluxe hardshell case.

Meet the Ernie Ball Music Man StingRay II, designed in collaboration with Cory Wong to deliver clarity, versatility, and precision for every performance. Featuring a figured roasted maple neck with a hand-rubbed oil and wax finish, a rosewood fretboard with 22 stainless steel frets, and an ergonomic body design, it ensures smooth playability and effortless access to every fret. The sleek styling draws inspiration from the iconic StingRay Bass, enhanced by a redesigned larger headstock, custom Cory Wong neck plate, and gold hardware for a sophisticated finish. The ultra-clean Cory Wong HT humbuckers are engineered for players seeking pristine articulation and exceptional tonal balance, offering a dynamic response that captures every detail of your playing with an expanded frequency range for maximum versatility. This guitar combines style, tone, and functionality.

The PRS CE 24-08 Black Limba Limited Edition blends style and performance for players who demand excellence. The black limba body will turn heads with its unique grain, rich color, and powerful but warm voice. Equipped with PRS’s intuitive 24-08 switching system, the CE 24-08 offers a wide array of tonal possibilities. With eight different pickup configurations at your fingertips, you can effortlessly transition from powerful humbucking tones to crisp single-coil sounds. Whether you’re shredding through a hard rock anthem or laying down a smooth jazz line, this guitar adapts to your style with ease.

This James Tyler Studio Elite features an insane Alien Guano finish with matching neck and headstock. The Studio Elite models are the pinnacle of form, function, and sound. Years of feedback from revered studio and gigging guitarists culminated into the ultimate in electric guitars.

Introducing the 40th Anniversary Custom 24 Limited Edition, celebrating four decades of PRS Guitars. Limited to 400 pieces worldwide. Built on the tried-and-true foundation of a mahogany back and neck with artist grade maple top, the 40th Anniversary Custom 24 boasts a retro violin top carve, PRS “Old School” birds with outlines, and PRS “Pre-Factory” headstock eagle, all of which pay homage to early PRS guitars. Outside of these aesthetic attributes, the 40th Anniversary Custom 24 is looking ahead with its all-new PRS DMO Treble and Bass pickups. DMO pickups (DMO standing for Dynamic, Musical, Open) were spec’d by Paul Reed Smith and the PRS New Products Engineering team to have a wide open sound with vocal character.

  Featuring a gorgeous 10-Top in Yellow Tiger. The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
  “One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.

- Jumbo acoustic inspired by Bob Taylor's original design
- Indian rosewood back and sides for warmth, clear trebles
- Sitka spruce top delivers power and projection
- Adjustable, easy-playing modern Taylor neck
- Includes LR Baggs Element VTC pickup

Please note, we no longer ship vintage or used amps. They are local pickup only. Give the store a call for more information 901-729-2466.

We know those sounds from countless guitar-driven hits of the ’50s and ’60s, laced with everything from toothy, biting twang to snappy, glassy chime enabled by those classic Fullteron amps’ transition from tweed to blackface. The Carr Sportsman captures it all in one versatile and eminently playable package, exuding tones so sweet you can stop turning back to tweak and just let your calloused fingertips dig in and enjoy.

While fusing the purity and clarity of an American reverb amp of the mid ’60s with the more aggressive dual-6V6 output stage of the late ’50s, Carr extends the Sportsman’s vocabulary with a fully usable Volume control, a wide-ranging Mid knob, and a Headroom control—the secret weapon that helps you bridge the decades. With the bonus of Carr’s delectable tube-driven, long-spring reverb, the full package makes for a lot of sonic splendor at your beck and call.

Rarely does one 19-watt, single-channel, 1x12" combo do so many things so well, but the Sportsman’s sonic purity and the chameleon-like capabilities of its control complement merge for a ton of versatility. From scooped rust-belt funk and R&B cleans, to stinging edge-of-breakup Chicago blues, to snarling Tex-Mex grind, and even a nod toward trans-Atlantic crunch and wail, it’s all there with just the twist of a few simple controls.

Of course, Carr’s next-level design and high-quality construction help to squeeze maximum sonic juice from the Sportsman, too. The circuit is fully hand-wired, point-to-point in the Carr tradition, using high-end and military grade components to ensure unprecedented signal clarity. Coupled with a hand-crafted, Birch multi-ply combo cabinet and ’70s style fixed speaker baffle for optimal resonance and character, the total package results in an expressive amp with utterly playable dynamics.

The Sportsman — pulling no punches on a bold sonic frontier. Learn More

The Super Bee captures that legendary Fullerton-made blackface 4x10" Super Reverb sound in an inspiring new model sized and powered to suit the true needs of today’s venues. No channel switching, no loop, just pure old-school blackface-inspired tone, delivered with new-school usability.

From scooped chime, to edge-of-breakup twang, to stinging roar, it’s all there at volume levels that will keep the soundman smiling while you push the Super Bee into succulent output-tube-driven overdrive and harmonically saturated bloom.

The key to the Super Bee circuit lies in its current-production 6BM8 output tubes. The pair achieves rich, bold, articulate tone remarkably reminiscent of the classic 6L6GC but at only 10 watts — plenty to cut through your drummer at the next club gig, but easily driven into dynamic sonic splendor without violating any noise restrictions.

Add a built-in attenuator to take it from 2 watts to a whisper for late-night jams; Carr’s spacious, three-dimensional tube-driven reverb; an EZ81 tube rectifier for a lively, bouncy playing response; and Carr’s legendary point-to-point construction and high-end component selection, and this is the finest compact Fullerton-killer on the scene today.

But wait! There’s also the versatile Sting switch to reconfigure the Super Bee for three classic voices:

64 – extra-scooped shimmer for crystalline cleans
68 – pushed blackface with bite for meaty twang and crunch
72 – more gain and a shift in the EQ circuit placement delivering fuller mids for luscious leads

The Super Bee — a Super reverb combo you can actually carry . . . And tear down the house without shredding any eardrums. Learn More