Acoustics

  The PRS SE P20E is a parlor-sized acoustic with a big voice. The PRS P20E features all-mahogany construction, and has an organic, warm voice. Featuring PRS hybrid "X"/Classical bracing, which allows the top to freely vibrate, the SE P20E projects with even, bold tone. Its smaller size makes playing for hours fun and comfortable and allows for more convenient transport.
  Parlor-sized acoustics can be miscategorized because of their size but make no mistake this is a professional-grade instrument. Plug in, and the PRS-Voiced Fishman Sonitone pickup system delivers dynamic, organic tone, so whether writing, recording, or performing, the P20E is sure to impress. This electronics system features an undersaddle pickup and soundhole mounted preamp with easy-to-access volume and tone controls, which essentially transforms what some may consider a "couch guitar" into a workhorse stage instrument.
  Featuring a satin finish with herringbone rosette and accents, the P20E looks as good as it sounds. Other high-quality features include a solid mahogany top, ebony fretboard and bridge, bone nut and saddle, as well as PRS trademark bird inlays and headstock design. Comes with a gig bag and strung with 12-53 strings.

Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. This model ships with ES2 electronics and a deluxe hardshell case.

Players who love the sound and look of Hawaiian koa will appreciate the Taylor 224ce-K DLX, a Grand Auditorium acoustic-electric guitar with a solid koa top and layered koa back and sides. Tonally, expect koa's lustrous midrange and top-end sparkle, plus a dash of warmth in the low end that keeps things remarkably balanced. The slender Taylor neck makes for comfortable fretting, while the Venetian cutaway provides access to the highest frets on the genuine ebony fretboard. Featuring a beautiful natural satin finish, the 224ce-K DLX is a real stunner. This model ships with ES2 electronics and a deluxe hardshell case.

A new short-scale take on Larrivee's classic Dreadnought model featuring a host of cool upgrades:

-Adirondack Top
-Mahogany Back & Sides
-24.75 Scale
-Ebony board with Diamond Inlays
-Rosewood Body and Fingerboard Binding
-New Radial Rosette and Radial Purfling
-Modified Scalloped Parabolic Hybrid Moon Spruce bracing
-Pyramid Bridge
-Tulip Tuners
-Vine Headstock

The Grand Concert model is a refined and beautifully proportioned shape, and is everything you could desire from an acoustic and more. Its tone is a wonderful blend of balanced clarity, and punchy projection, with a smooth rich bass response. It has a singing lyrical treble, with excellent sustain, and is comfortable to hold. Though it is a small guitar, the Grand Concert does not exhibit the tight nasal tonal quality in the midrange and bass that is generally associated with smaller guitars. While the GC is considered ideal for the fingerstylist due to its sensitive, dynamic responsiveness, it is equally appropriate for the plectrum player. It is prized by Bluegrass flatpickers, and has even been said to surpass large bodied dreadnought guitars with respect to its clarity, sustain and powerful projection.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New Deluxe model featuring Truetone Gloss finish and Fishman electronics! Adopting exciting, forward-thinking design improvements, Eastman's AC Series acoustics stand out like never before. Further refinements to the already future-forward line have taken comfort, functionality, and elegance to the next level.

New deluxe model featuring a cutaway, gloss finish, and Fishman electronics. The Orchestra name was given to this model in 1929 in an attempt to entice guitarists in dance orchestras to pick one up and take it to a gig. In more recent years, it has become a go-to instrument for finger pickers, due to its sensitive dynamic profile and subtle tonal properties. It provides a more carefully sculpted sound than a big bodied acoustic.

The all-new 12-string version of the E1D. Big, huge, wide-frequency 12-string, dreadnought tone! This is what a 12-string is supposed to sound like. Featuring Fishman electronics, and deluxe padded Eastman gig-bag.

The all-new 12-string version of the E1D. Big, huge, wide-frequency 12-string, dreadnought tone! This is what a 12-string is supposed to sound like. Featuring Fishman electronics, and deluxe padded Eastman gig-bag.

  As with all of Collings' Traditional Series guitars, when it came time to add a “T” designation to their slope-shoulder offerings, they didn’t simply tweak the original; the all-new Collings CJ-45 T is a fully re-imagined instrument that offers a distinct tonal variation when compared to their CJ and CJ-35 models.
  Strongly vintage-inspired, the body construction has been completely re-engineered, including new bracing carves and patterns. When combined with their latest T-Series neck design, and new CJ-45 neck profile, the result showcases a tone that is exceptionally dry and fundamental with the growl and thump sought after in the great slope-shoulder dreads of the Wartime era.