Acoustics

Neck Material: Mahogany
Fingerboard: Rosewood
Fingerboard Radius: Flat
Nut: Bone 1 27/64"
Scale Length: 16 15/16"
Body Style: Tenor
Body Deminsions: 8 9/16" x 3 1/32"
Body Top: Solid Mahogany
Body Back/Sides: Solid Mahogany
Binding: Body Top and Back
Binding Material: Rosewood
Logo: Gold Headstock
Inlay: Abalone Snowflake
Rosette: Maple
Side Dot Color: Pearl
Body Finish: Gloss Nitrocellulose
Neck/Headstock Finish: Gloss Nitrocellulose
Hardware Color: Chrome
Bridge: Rosewood/Bone Saddle
String Spacing: 1 5/8"
Tuners: Grover 9NBM w/ Black Buttons
Strings: D'Addario Nyltech EJ88C
Case: Hardshell Case

Neck Material: Mahogany
Fingerboard: Rosewood
Fingerboard Radius: Flat
Nut: Bone 1 27/64"
Scale Length: 14 5/8"
Body Style: Concert
Body Deminsions: 7 13/16" x 2 9/16"
Body Top: Solid Mahogany
Body Back/Sides: Solid Mahogany
Binding: Body Top and Back
Binding Material: Rosewood
Logo: Gold Headstock
Inlay: Abalone Snowflake
Rosette: Maple
Side Dot Color: Pearl
Body Finish: Gloss Nitrocellulose
Neck/Headstock Finish: Gloss Nitrocellulose
Hardware Color: Chrome
Bridge: Rosewood/Bone Saddle
String Spacing: 1 5/8"
Tuners: Grover 9NBM w/ Black Buttons
Strings: D'Addario Nyltech EJ88C
Case: Hardshell Case

Neck Material: Mahogany
Fingerboard: Ebony
Fingerboard Radius: 12"
Neck Profile: Traditional Even "C"
Nut: Bone 1 3/4"
Fretwire: 20 Jescar-FW43080
Scale Length: 24.9"
Body Dimensions: 15" X 4-1/4"
Bracings: Hand-Carved Scalloped X
Body Top: Solid Adirondack Spruce
Body Back/Sides: Solid Mahogany
Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing
Rosette: Classic
Truss Rod: Dual Acting
Binding: Top/Back
Binding Material: Tortoise Shell
Logo: Pearl Headstock
Inlay: Pearl Dots
Bridge Pins: Ebony
Body Finish: Gloss Nitrocellulose
Neck Finish: Satin Nitrocellulose
Hardware Color: Nickel
Pickguard: Tortoise Shell
Tuners: Open-Gear Ping V93N 3+3
Strings: D'Addario .012 -.053 EXP16
Case: Hardshell Case

Neck Material: Mahogany
Fingerboard: Ebony
Fingerboard Radius: 12"
Neck Profile: Traditional Even "C"
Nut: Bone 1 3/4"
Fretwire: 20 Jescar-FW43080
Scale Length: 25.4
Bracings: Hand-Carved Scalloped X
Body Top: Solid Adirondack Spruce
Body Back/Sides: Solid Mahogany
Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing
Rosette: Classic
Truss Rod: Dual Acting
Binding: Top/Back
Binding Material: Tortoise Shell
Logo: Pearl Headstock
Inlay: Pearl Dots
Bridge Pins: Ebony
Body Finish: Gloss Nitrocellulose
Neck Finish: Satin Nitrocellulose
Hardware Color: Nickel
Pickguard: Tortoise Shell
Tuners: Open-Gear Ping V93N 3+3
Strings: D'Addario .012 -.053 EXP16
Case: Hardshell Case

Taylor's V-Class bracing lends extra power, sustain and sweetness to this cutaway 12-fret Grand Concert, broadening its musical range. Blackwood back and sides produce a strong voice—even in small-body GC—with a meaty midrange focus and a splash of top-end shimmer, while the mahogany top adds a touch of natural compression to smooth out the response from top to bottom. The combination of a 12-fret neck, slightly shorter 24-7/8-inch scale length, and a shifted bridge position (closer to the center of the lower bout) produces a slinkier handfeel. This makes an excellent choice for players who crave the comfort of a compact frame. With its microphone-friendly voice, it also makes a great choice for recording, and with the ES2 electronics, produces a clear, flavorful amplified sound. The dark and earthy aesthetic incorporates a shaded edgeburst top over the dusky mahogany top, black binding, an all-satin finish, a black pickguard, and small diamond inlays in Italian acrylic.

A Vega model 202 mando-cello made between the mid 1910's to 20's. In the first decade of the 20th century, the Vega company released their "Lute Mandolin" series of mandolin family instruments. This included mandolin, mandola, mando-cello, and mando-bass. The instruments in this series all have the Vega "patented semi-arched back construction", also called "cylinder back". It has mahogany back and sides and a spruce top. There are multiple crack repairs. The top has some distortion and has sunken at the bridge. The body has been refinished, and binding has been repaired. It is fully playable, and has a good tone. Comes with non-original hardshell case.

There is a video on Youtube of Roy Smeck playing the ukulele, that is the most awesome thing in the world. He plays it to death, it is mind boggling. You should check it out. Here we have a Silvertone Baritone Uke made by the Harmony Company in the 1950's. Sear's brand name was Silvertone, and they contracted guitar companies to build instruments for them. This was built in Chicago at the Harmony factory. It shows some wear, the main problem is the binding is deteriorating. It can be replaced or you can play it as is. It plays well, the frets are good and the action is fine. There aren't any cracks or other problems. It has a good looking non-original tweed hard case. The top portion of the case looks like it was partially crushed but still functions and protects the instrument.

Taylor's cutaway acoustic/electric Grand Auditorium 414ce has long been a staple of gigging and recreational players thanks to its musical versatility and clean, workmanlike aesthetic. Crafted with back and sides of solid African ovangkol and a solid Sitka spruce top, the 414ce now also features our V-Class bracing, a game-changing sonic engine that powers these tonewoods to produce more volume, longer sustain, and stronger projection. The more orderly movement of the top, courtesy of the new bracing design, also improves the intonation up and down the neck, making chords sing like never before, without sour notes or the “rub” of slight dissonance within certain chords. The difference comes through loud and clear, whether you’re on the couch, recording into a mic, or plugged in at a gig. The ovangkol/Sitka pairing yields a mix of powerful midrange frequencies, strong, clear treble notes, and deep yet balanced lows, and together with V-Class, make this a superb all-around guitar. Fingerpickers, flatpickers and strummers each will find something to love here. Appointments include crisp white binding, Diamond fretboard/peghead inlays in Italian acrylic, and proprietary ES2 electronics. The guitar ships in a deluxe hardshell case.

A Wild Honey Burst top and low-sheen finish heighten the old-soul aesthetic appeal of this Builder’s Edition Grand Pacific, which builds on a long tradition of rosewood/spruce dreadnoughts but breaks new ground with an entirely new Taylor sound. The round-shoulder dreadnought shape, featuring Taylor’s award-winning V-Class bracing, produces warm, seasoned acoustic tone in which individual notes overlap and blend smoothly together, while the low-end power common among dreadnoughts boasts greater clarity here. V-Class brings extra punch and sustain, along with improved intonation and musicality across the entire frequency spectrum. Together with rosewood’s harmonic complexity and the played-in sound of the torrefied spruce top, players can expect rich, luxurious tonal character from top to bottom. It’s a voice comfortably rooted in a traditional sound, yet updated to offer more expressive musical range. As a Builder’s Edition model, the 717 also sports an array of premium, player-friendly features: chamfered body edges, rolled fretboard edges, and a new compound-carve neck profile, whose contours match the natural adjustments in the player’s hand position when moving up and down the fretboard. Even the bridge design was refined to add a more ergonomic feel for the player’s pick hand. Elegantly understated appointments include mother-of-pearl Arrowhead fretboard and peghead inlays, with sapele binding. It all adds up to a Taylor like you’ve never seen, heard or felt before.

Featuring a Torrefied Sitka Spruce top, and short 24 7/8" scale

-Torrefied Sitka Spruce top
-1 3/4" N.ut
-24 7/8" Scale
-East Indian rosewood back & sides
-Grained ivoroid binding
-Herringbone trim with matching backstrip
-Cross-cut grained ivoroid & wood nitrate strip rosette
-Pre-war scalloped bracing
-Tortoise-style pickguard
-High gloss nitrocellulose lacquer finish
-Mahogany neck
-Ebony peghead overlay
-Inlaid Collings Logo
-Ebony fingerboard and bridge
-Traditional diamond and square fingerboard inlays
-Fully adjustable truss rod
-Bone nut and drop-in saddle
-Ebony bridge pins and end pin
-Nickel Waverly tuners
-#29989
-Collings Hardshell Case

-Aloha/ AKGCC #6772
-25" Scale
-1.75" Nut Width
-Satin Neck Finish
-Elixir Phosphor Bronze Strings
-Venetian Cutaway
-Koa Back/Sides
-Sitka Spruce Top
-Ebony Binding
-Ebony/Maple Edge Trim
-Koa Peghead Overlay
-Rosewood Fingerboard
-Bone Bridge Pins
-Gotoh 510 Tuners
-Ebony Tuner Buttons
-M.O.P.G. & Wings Peghead Inlay
-Mother of Pearl Fretboard Inlay
-Agoya Shell Rosette
-Bone Nut/Saddle
-Ameritage Hardshell Case