Used/Consignments

Here's a very cool American made Fender Deluxe Nashville Telecaster in Candy Apple Red. Made in 2003. If you need a great guitar with both Strat and Tele sounds at a reasonable price, this is the guitar for you. It's all original with the exception of the pickups...they have been upgrade with Dimarzio's. DiMarzio DP413 Virtual Hot T bridge, DiMarzio DP415 Area 58 middle, DiMarzio DP411 Virtual Tele Neck. The middle pickup emulates the celebrated 1958 Strat pickup, the neck and bridge pickups have that classic Tele tone. These pickups sound fantastic, have virtually no hum, and way less magnet pull than the stock Fender pickups. 

Here's a beautiful Japanese made Ibanez Artist Professional. Made by FujiGen Gakki in January of 1979. This model is frequently associated with Bob Weir of the Grateful Dead. These have become harder to find over the years and are highly sought after by Deadheads and fans of 70's Ibanez guitars. Natural ash body with German carved top. The Ibanez Super 70 humbucking pickups sound fantastic, while the thin double cut body and seamless neck joint make this guitar very comfortable to play, even for prolonged jamming. The guitar shows overall light cosmetic wear, appropriate for its age. The finish is glossy with swirls, light surface scratches, bumps and other small blemishes. The neck is straight and true. Truss rod works perfectly. All pots are original. The frets are in excellent condition. No repairs. It plays and sounds great with low action.

  Here's an early Gibson ES-125. Made in 1946 at the Kalamazoo Plant, MI, USA. Production Number: 98654. This one has the rare and highly sought after tall barrel knobs that were only found on ES Models for a couple of years in the late 1940's. Laminate maple top, back, and sides, a mahogany neck, Brazilian Rosewood fingerboard and bridge, and dot inlays.
  For a nearly 80 year old guitar, this guitar is in excellent condition. It has been professionally refretted and had a bone nut installed. It's plays great and sounds great. The electronics are fully functional. The neck is straight and true and the truss rod moves smoothly. No splits or cracks. There's a small hole on the side of the neck heel where (presumably) a strap button once was. It's currently strung with D'Addario flatwounds. Come with hardshell case.

  The SE McCarty 594 Singlecut Standard brings an all-mahogany option to this versatile, vintage-inspired platform. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single coils, the SE McCarty 594 Singlecut Standard effortlessly masters both sonic territories thanks to its dual volume and push/pull tone controls. 58/15 LT “S” pickups were carefully designed to deliver warm, vintage-inspired tone with sweetness and clarity, and the all-mahogany body brings beautiful midrange and a subtle aesthetic.
  The SE McCarty 594 Singlecut Standard is anchored by the zinc PRS two-piece bridge and vintage-style tuners. Other specifications include a bound 22-fret, 24.594” scale length Pattern Vintage neck and slightly thicker back for sustain.
  Designed to capture the heart of the McCarty family of instruments, the SE McCarty 594 Singlecut Standard is a high-quality workhorse instrument you can play at home, in the studio, and on the stage.

Here's a Paul Reed Smith S2 McCarty Singlecut 594 in Whale Blue finish. It is in excellent condition showing only light surface cosmetic wear. No dents or dings. The frets are in perfect condition with no signs of play wear, and there are no breaks or repairs. Comes with the original PRS gig bag.