The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.Learn More
At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.
The Mercury V, older British cousin of Carr's award winning Skylark, is back with a highly evolved feature set borrowing the best of the past while rocketing into the future.Learn More
The Mercury V is highly touch sensitive with a huge range of English tones from 60s aggressive clean thru 70s rock into 80s and 90s tasty crunch. The built in attenuator delivers real power tube overdrive at very low levels retaining the feel and juice of full volume fun. Like recording on your computer? Just plug the Mercury V line out into your A/D interface and go! The Luscious Spring Reverb, full ranging Overdrive options, and effective tone controls make the Mercury V an invaluable recording tool. Home player? Experience big amp satisfaction with domestictranquility. Gigging musician? 16 burly watts in full power means the Mercury V is a commanding stage amp. Mercury V wins the six string triathlon. Home, Studio, Stage.
Plus, you get everything Carr is known for, in-house crafted solid pine dovetailed cabinets, bleeding edge power supply components mixed with Mid-Century signal elements, and true point to point wiring. The Mercury V: Scary Good!
The Carr Skylark is the ultimate low-power American inspired amplifier!
The Skylark idea began with Carr's love and appreciation for classic home/student 60s American amps such as the Harvard to name but one. These small, student amps deliver organic tube juice and vibe at real world volumes; making them super usable and super satisfying. The Skylark takes this fun utility a giant leap forward. Reverb, a built in power attenuator, Hi/Low gain switch, and the extended range presence control offer an incredible pallet of tones from the Skylark’s beautiful dove-tailed cabinet.
This luxurious rosewood/spruce acoustic-electric Grand Auditorium reaches new levels of performance thanks to Taylor's patented V-Class bracing. By coaxing a more orderly response from the top, this game-changing bracing design allows the 814ce DLX to produce more powerful notes everywhere on the fretboard, along with stronger projection, longer sustain, and improved intonation, creating a more musical and expressive playing experience for guitarists. The classic pairing of Indian rosewood and Sitka spruce sparkles with new intensity thanks to the new internal bracing architecture, bringing out more of rosewood’s naturally warm overtones and producing clear, bell-like highs. Premium details include a radius-style rosewood armrest and Gotoh 510 tuners that feature a precise 21:1 gear ratio, delivering an ultra-smooth playing experience. And with deluxe features like maple binding, mother-of-pearl Element fretboard and peghead inlays, a smoky ebony fretboard, rosewood top trim, and maple fretboard/peghead purfling lines, it's easy to see why the 814ce DLX is one of Taylor's most appealing rosewood models.Learn More
Here we have a 2010 Fender Custom Shop Stratocaster NOS 1960 Reissue. This is a good one: the back of the maple neck is flamed out the wazoo, and it looks spectacular. It has a slab Indian rosewood fingerboard, three tone sunburst finish, and mint green pickguard. The bridge has been upgraded with a Wilkinson block, and the lead pickup is wired to the neck pickup's tone knob. I think it's a cool mod, but can be switched back easily if you wanted to. It shows some minor cosmetic wear. It has nicks and dings, nothing major, just enough to make it look cool (more like a Closet Classic). The frets are in near-perfect condition, showing only the slightest hints of being played. The neck is straight and true, with a 1-11/16" nut width and 10" radius...it feels great. This is a great playing and sounding guitar with a serious, vintage vibe. Comes with strap, certificate, and original brown tolex case.Learn More
This Prototype Taylor Grand Auditorium Blackwood/Lutz has a great combination of tonewoods that really shines in this Grand Auditorium body style. Featuring a Sitka Spruce top, paired with Tasmanian Blackwood back and sides, this Grand Auditorium delivers plenty of volume with the dread-sized lower half, while the smaller waist but with a bold, focused twist. Loaded with the new Taylor Expression System 2, so you're ready to play out or kick off that home recording project. Every collector wants a guitar with a cool story. What could be better than to own a prototype with cool specs that are slightly different from any other current Grand Auditorium?Learn More
If you're a Taylor afficionado, you owe to yourself to stop by and try it!
Here's an impressive 12-string guitar, this limited edition 358E features a Grand Orchestra size body with a Lutz spruce top and Tasmanian blackwood back and sides. The honey sunburst top is complemented by faux tortoise shell binding and a 3-ring faux tortoise shell. This stunning acoustic guitar is equipped with Expression System 2 electronics.
- Grand Orchestra body
- Tasmanian Blackwood back and sides
- Lutz spruce top
- Performance bracing
- Faux tortoise shell binding
- 3-ring faux tortoise shell rosette
- Italian acrylic Gothic Diamonds fretboard inlay
- All-satin body w/ honey sunburst top and shaded edgeburst back, sides, & neck
- Nickel tuners
- ES2 electronics
- Hardshell case included
Featuring an amazing one-piece figured maple top, and a Faded Whale Blue Smokewrap Burst finish.
PRS Guitars is proud to offer the acclaimed McCarty 594 and McCarty Singlecut 594 with PRS/Seymour Duncan Soapbar pickups. McCarty 594 models were designed to rival the best vintage instruments, meticulously spec’d with a 24.594” scale length, Pattern Vintage neck carve, tweaked Phase III locking tuners with modified collars and set screws, and a two-piece zinc bridge. Soapbars are one of the most classic pickup designs and add another tonal option for players that is at once incredibly familiar and effortlessly playable.
For this PRS/Seymour Duncan collaboration, we started with the Seymour Duncan Antiquity P90 for its sweet, vintage growl and cool, gritty sparkle. However, we modified the pickup slightly so it sits at the proper height in our cavity design. Like with original Antiquity pickups, chords sound full and round, while single notes sing sweetly. A relatively low output pickup, these soapbars have a many usable voicings by simply adjusting your volume and tone controls.Learn More
You think you can't reinvent the wheel? Think again. This Tausch 665 Raw is no Tele knockoff, this is a totally unique instrument. What we have here folks is a work of art. Rainer Tausch only builds two electric guitars each month. Each one is meticulously crafted. The body is pear wood. Unbelievably resonant. Semi hollow body with an end to end sustain block, set neck, gorgeous butterscotch blonde nitro aged finish. Set maple neck, gives great access up to the highest notes. Light, semi hollow, and cool vintage finish (Wow!). The neck is one-piece maple with a bone nut, 22 Wagner frets, and Sperzel locking tuners. Feels like the best 50's Telecaster you've ever played. Haussel pickups: single coil, Broadcaster-style bridge pickup, with a "Tauschsound" humbucking neck pickup. It has a coil-tap switch, which gives a vast array of tonal possibilities. The neck pickup sounds like a vintage PAF! This guitar has monstrous tone, vintage vibe, with modern sensibilities. Keith Richards would love this guitar. Awesome in every way. Comes with original hard case.Learn More
1985 doesn't seem like it was 33 years ago. When you say something happened in 1990 my mind thinks of that as being just 10 years ago. Time sure does fly. Most Taylor aficionados will consider this 710, built in 1985, a vintage model. Made in the original Lemon Grove factory, Taylor only made 681 guitars in 1985. Vintage Taylors are known for having plenty of volume and this one lives up to this reputation with ease. Easy to play and light as a feather, it could fill a large room with minimal effort from the player. Frets are in near-perfect condition. Overall a well seasoned, fantastic instrument that has opened up beautifully in its 33 years. In great condition, with the typical cosmetic wear you'd expect. No repairs, no separations, and no issues. Passive Thinline under saddle pickup. The pickguard has been replaced with a new one, and the original one will be included inside the case. Just recently set up with Elixir 16102 phosphor bronze medium string. It is ready to go.Learn More
I love it when different genres merge together and form something unique and cool. This beautiful guitar was inspired by the great Alfred Hitchcock movie, "The Birds". So, film-music and wonderful craftmenship have joined together to create this beautiful instrument. It is a 2009 PRS Limited Edition Bodega Bay model with a Birdseye maple top that looks like the birds flying over Bodega Bay. Poor Tippi Hendren was driven to the brink of a nervous breakdown during the making of "The Birds". She suffered dearly, so the least you can do is buy this guitar. It was owned by a collector. We sold this originally, and the original owner picked it out of three other Bodega Bay models we had just received. This one had the very best top. It is in 100% mint condition. It was never played! You'll never find another in as perfect condition.
-Violin amber finish
-Limited edition of 40
-Figured birdseye maple Top
-24-fret standard neck, 10" radius
-Peruvian mahogany neck, 25" scale
-Mammoth ivory bird inlays
-PRS 1957/2008 pickups
-Volume, push/pull tone, 3-way toggle
-14-1 low mass locking tuners
-Hard shell case
This is my favorite guitar in the whole world. That's a pretty bold statement I know, but I'm in love with vintage Gibson J-45 guitars. I especially love tobacco sunburst, adjustable bridge J-45 guitars. Here we have a 1960 Gibson J-45 ADJ in tobacco sunburst, ceramic adjustable bridge with a newer, non-original chipboard case. Serial number #R5835-19. It's a one-owner guitar, and it's been played a lot. There is pickwear around the soundhole, and pickguard cracks. That's fairly standard for models from this era. The original owner put his initials with mailbox letter on the headstock and front of the guitar. They are small and unobtrusive, I would leave them there, It adds character and history in my humble opinion, but they can be removed. The neck has a 1-11/16" nut width. The bridge has a slight lift at the edges on the treble and bass sides...it hasn't moved in 30 years, so it should be fine for many more years to come. The overall condition is very good. Some nicks, dings and scratches, and some pick wear, as mentioned earlier. Action is a respectable .100" at the 12th frets of the low E string and .070" at the 12th fret of the high E string. This is a solid, well loved guitar that sounds like a million dollars. It's awesome, and I mean that from the bottom of my heart. To find a one-owner vintage guitar doesn't happen that often these days. The gentleman we got it from is 96, and he bought it new. That is so cool.Learn More