Basses

Players fond of the old adage “if it ain’t broke…” haven’t played a JB•2™. You see, the G&L JB•2 is all about refinement, blending “holy grail” Alnico single-coil tone with modern Leo Fender improvements. The JB•2’s classic Alnico V pickups have tone reminiscent of the best examples from the early ‘60s, thanks to the work of Paul Gagon, G&L VP Engineering. Gagon found his inspiration reviewing original prints stored in Leo Fender’s private laboratory at G&L, but that was just the start. About 30 years ago, Gagon was an R&D; engineer at another company when he was tasked with finding out what was so special about the early bolt-on basses many players raved about. Gagon tirelessly analyzed many examples of what were considered holy grail basses, spending time out on the shop floor talking to builders still working in the pickup department since the ‘50s, all on a quest to discover where the real mojo was – and wasn’t. What he learned from the builders matched his own engineering analysis. You see, back in the day, the actual spec of pickups coming down that old production line varied considerably. That meant coming up with the right specs was more challenging than simply following the prints, and Gagon’s persistence paid off as the JB-2 serves up delicious, classic tone. While the pickups are the origin of the tone, the JB•2 will surprise you with a clarity and sustain unmatched by old basses with their rudimentary bridge design. You see, the JB•2 features an innovative G&L Saddle-Lock™ bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. If you’re ready to let go of the past but still love that classic Alnico tone, get your hands on a JB•2 and experience a brilliant mash-up of old-school and new-school Leo. Once you play a G&L Tribute Series, you’ll never look back. Learn More

When Leo Fender launched the G&L SB•2™ bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. If you prefer a less-is-more aesthetic but hunger for something meatier, the SB•2 is just the ticket. The SB•2 starts with a familiar shape, though subtle modifications to its sculpting make it more sleek and balanced. Strap it on and it immediately feels at home, yet somehow more comfortable than you expected. The slim, C-shaped neck falls immediately to hand, checking in with a modern 12″ radius and its 22 medium-jumbo nickel frets ready to deliver silky playability. Once the SB•2 has nestled into your comfort zone, it’s time to experience just how far Leo evolved the classic duo of split-coil and single coil pickups. You see, these Magnetic Field Design™ interpretations were created by Leo to give you more gusto without losing detail and finesse. A simple dual-volume control setup allows you to strike any balance between the two, even backing off both volumes to dial in a more vintage flavor. What’s more, the SB•2 features an innovative Leo Fender-designed Saddle-Lock™ bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. The Tribute® Series SB•2 brings the magic of Leo’s own reinterpretation of the P/J configuration, all at a price attainable for every working musician. Once you play a G&L Tribute Series, you’ll never look back. Learn More

Players fond of the old adage “if it ain’t broke…” haven’t played a JB•2™. You see, the G&L JB•2 is all about refinement, blending “holy grail” Alnico single-coil tone with modern Leo Fender† improvements. The JB•2’s classic Alnico V pickups have tone reminiscent of the best examples from the early ‘60s, thanks to the work of Paul Gagon, G&L VP Engineering. Gagon found his inspiration reviewing original prints stored in Leo Fender’s private laboratory at G&L, but that was just the start. About 30 years ago, Gagon was an R&D; engineer at another company when he was tasked with finding out what was so special about the early bolt-on basses many players raved about. Gagon tirelessly analyzed many examples of what were considered holy grail basses, spending time out on the shop floor talking to builders still working in the pickup department since the ‘50s, all on a quest to discover where the real mojo was – and wasn’t. What he learned from the builders matched his own engineering analysis. You see, back in the day, the actual spec of pickups coming down that old production line varied considerably. That meant coming up with the right specs was more challenging than simply following the prints, and Gagon’s persistence paid off as the JB-2 serves up delicious, classic tone. While the pickups are the origin of the tone, the JB•2 will surprise you with a clarity and sustain unmatched by old basses with their rudimentary bridge design. You see, the JB•2 features an innovative G&L Saddle-Lock™ bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. If you’re ready to let go of the past but still love that classic Alnico tone, get your hands on a JB•2 and experience a brilliant mash-up of old-school and new-school Leo. Once you play a G&L Tribute Series, you’ll never look back. Learn More

When Leo Fender launched the G&L L•2000™ bass in 1980, it was clear he was ready to make history all over again. Never before had such a wide range of tones come from a single bass, and throughout its evolution the iconic L•2000 has continued to win the hearts of bassists of every style and musical taste. The foundation of the L•2000 is a pair of G&L Magnetic Field Design™ humbuckers backed by the flexible Tri-Tone™ control system,* providing the sort of versatility that’ll let you find your tone no matter what kind of bass line you’re laying down. The Tri-Tone system features a trio of mini toggles for pickup selection, series/parallel signal routing and active/passive operation, as well as a trio of knobs for volume, treble and bass. With all that under the hood, Leo gave the L•2000 the kind of chops that’ll fit in any situation, from classic R&B to power-packed rock to poppin’ funk. What’s more, the L•2000 features an innovative Leo Fender-designed Saddle-Lock™ bridge to transfer string energy right into the body end-grain for an incredibly resonant instrument. The Tribute® Series L•2000 delivers the magic of Leo’s revolutionary bass at a price attainable for every working musician. Once you play a G&L Tribute Series, you’ll never look back. Learn More

The G&L LB-100 made its debut in the early '90s ago in response to bassists asking for more subtle evolution of the p-style platform, as compared to the SB-1 and L-1000. With a slightly streamlined body shape for improved comfort and balance, the LB-100 also brought the G&L Saddle Lock bridge for richer note definition and sustain. The Tribute Series LB-100 hits the mark, with an ideal balance to the pickup spec for vintage flavor with solid punch. Learn More

This is a limited edition Ernie Ball Music Man Ball Family Reserve Stingray Special Slugger. One of only 105 worldwide. Featuring a satin natural finish, roasted maple neck, gorgeous striped ebony wooden control knobs!

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Here's a rare St. Blues Blues King model four string bass. Serial number 01005. This bass was built in Memphis, TN by Tom (TK) Keckler at the Strings & Things guitar shop in 1985 with parts purchased from Hisatake Shibuya in Tokyo, Japan. Shibuya was the founder of ESP Guitars. At this time a few other manufacturers used ESP for OEM instrument bodies and necks such as Kramer Guitars, Schecter Guitar Research, Robin Guitars, and Dimarzio. The Blues King model was based off a modified Fender Telecaster design and available in both guitar and bass versions. They are sought after by collectors and considered of very high quality. It features a mahogany body with bound top, maple neck with Indian Rosewood fingerboard, active EMG pickups, black hardware, and black finish.

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Here's a 1974 Gibson EB-0 short-scale bass in very good condition for its age. The EB-0 is propably one of the most famous "short-scale" basses. This bass has been professionally refinished at some point, it was done well and the condition is very good. The walnut finish has faded over the years to a nice warm natural color. The "Mudbucker" Pickup in the neck position has that large growling sound which this bass is famous for. Comes with the original black Gibson hardshell case.

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Harking back to the late 70's when Leo Fender was developing new innovations at his CLF Research company, and gearing up to launch his new G&L brand; the new CLF Research L-2500 pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced aluminum CLF knobs, elegant-chrome control plate housing the Tri-Tone Preamp and color-coded mini toggle switch tips.

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Roger Sadowsky's goal was always to further improve an already very successful bass design by making a number of detailed improvements. Along with the electronics, which he developed by himself, he succeeded to raise the well-known P/J bass sound to a new level, so today you can speak of a typical Sadowsky tone: Never harsh or shrill sounding, with strong, powerful but never muddy bass, with present, but not too aggressive mids, and a sweet and airy treble range. All features of this modern bass sound can also be found in the 21-Fret Hybrid P/J basses of the MetroExpress series. All basses are lightweight. A good choice for bass players who are looking for a lightweight solution for the stage in addition to a modern bass sound. This version of the Sadowsky Hybrid P/J Bass features a Tobacco Burst finish, a white pickguard, and a Morado (Pau Ferro) fingerboard.

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The Fender Precision Bass has been offered in a myriad of models in its nearly 70 years of existence, including a number of "reissues". One of the coolest variants was the Elite II, which was introduced in mid-1983, and was only made for two years (1983 - 1984). This particular Elite II bass is an early one, made in 1983 at Fender's factory in California. This was Fender's high-end line of the time, and their second attempt at an active bass. The Elite II has two split humbucking pickups with an active preamp and a normal (passive) tone control. The high-mass chrome Schaller bridge is missing the fine tuners but works just fine without them. The output jack is mounted on the side of the body. It has Schaller deluxe tuners and Schaller strap locks. It has overall signs of play wear and surface wear consistent with an instrument that's nearly 40 years old. The worst of the wear being dents and finish loss along the lower bout of the body -  see photos for details. The frets are in great shape and have many years of life in them. The neck is nice and straight with very comfortable, low action and the truss rod functions perfectly. All electronics and parts are in perfect working condition. Comes with a tweed hardshell case.

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