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Individually hand-built using traditional materials & “Old World” craftsmanship with solid Spruce Top, solid Maple back & sides. Ebony fingerboard & adjustable ebony bridge. F-style body with F-holes for superb tone & projection.

When Gibson introduced the Advanced Jumbo guitar back in the late 1930s, it boasted one of the most prominent low-end voices of any guitar available, largely thanks to having a large, round-shouldered Dreadnought body. This guitar is exceptionally big and punchy sounding thanks to the Adirondack Red Spruce top and Brazilian Rosewood back and sides. The Mahogany neck is topped with a Rosewood fretboard, with a 1-3/4" nut width for a traditional look and feel, and braced with a traditional scalloped "X". This limited edition Luthier's Choice model also features distinctive Mother-Of-Pearl inlay on the fingerboard, gorgeous firestripe pickguard, a rectangular rosewood bridge with a long saddle, and Waverly open gear tuners, as well as Fishman Rare Earth sound hole pickup for amazing tone when you plug in. This guitar has very little signs of previous play time on it. Aside from a small top ding near the edge of the lower bout on the treble side and and some slight pick marks it’s in excellent condition. The frets are in perfect condition and show no wear. The neck is straight and true. It plays and sounds fantastic. This guitar retailed for $11,500 back in 2002. Grab it now for a fraction of that price. Comes with original paperwork and hard shell case.

Here is a 2003 Gibson SJ Custom Shop made with the Holy Grail of tone woods, Brazilian Rosewood. The Southern Jumbo is a workhouse of a guitar beloved by many famous artists...Woodie Guthrie and Hank Williams Jr were both known for loving the model.  The Southern Jumbo was born in 1942 with solid Brazilian rosewood back and sides, but the model is more commonly found with the solid mahogany back and sides it carried when it reappeared in 1946. This Brazilian incarnation has been crafted in Bozeman, Montana by Gibson’s lauded acoustic division. Other features of the model include the solid premium Sitka spruce top, 6-ply top binding and 4-ply back binding, nitrocellulose vintage sunburst finish, tortoise Southern Jumbo pickguard, and split-parallelogram mother-of-pearl fingerboard position markers. The Brazilian Rosewood is gorgeous. It has a great feeling neck with a nice medium profile. There is no wear, it is perfect. It is a serious guitar and a great sounding guitar. Okay, as we like to say in the business, now for the kicker: It is signed on the front by country artist, Craig Morgan, how cool is that? This guitar retailed for $12,500 back in 2003. Grab it now for a fraction of that price. Comes with original paperwork and hard shell case.

I like cool and rare guitars, what guitarist doesn't? It sort of separates one from the herd, which is a good thing unless you're a gazelle, then it's not so good. We have a really cool and rare one for you, a 1982 Gibson ES-347. These were only made for a short period of time and they were designed for maximum sustain. It has it too, it will sustain forever. It has some of the best features Gibson offered on a semi-hollowbody, including a coil tap, block markers on an ebony fretboard, a brass nut, fancier bound headstock, and although traditionalists like ABR Tune-O-Matic bridges, the TP6 on this guitar functions better with fine tuners and faster string changes. The majority of ES-34's you'll find will be either natural or tobacco sunburst. This has the more difficult to find cherry sunburst finish. It does show some minor cosmetic wear and is in overall great shape for a 37 year old guitar. It has been professionally refretted and plays like a dream with low action and no buzz. Also, the back of the neck was oversprayed. This is a fine sounding and playing guitar and it lives up to its promise of sustain. Comes with original hard case.

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

  "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
  The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
  Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
  Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

I wonder if Leo Fender knew when he saw the first Fender Stratocaster roll off the production line that he had invented an iconic guitar? An instrument that would help define popular music and popular culture for decades, and over 60 years later is still going strong. Probably not. I bet he thought, "Well, I hope somebody buys it." We are a long way down the road from the inception of the Fender Stratocaster, and I promise you people will continue playing them for years to come. Today we have a very cool, 2006 Fender Stratocaster 60th Anniversary Standard made in the USA. Fender made this guitar to commemorate the company's founding 1946-2006. This guitar is collector's grade, near perfect condition. It still has the plastic coating on the pickguard. The neck is straight and true. The frets are in perfect condition. It plays and sounds great. The maple neck has an Indian rosewood fingerboard with a comfortable C profile. The sunburst finish is beautiful. Comes with a special 60th Anniversary case with grey tolex and red, plush interior. The case shows some very slight cosmetic wear. Does not come with the strap, but has the original hangtag, cable, and other case candy.

The S2 Custom 24 takes the original PRS guitar, the Custom 24, and re-imagines it with stripped-down features and a new aesthetic. Retaining the classic maple top/mahogany back combination with our classic body shape and a asymmetrical beveled top, this guitar is resonant with a funky familiarity. Its versatility comes from its 85/15 "S" pickups, push / pull tone knob, and 3-way blade switch. Familiar for PRS players of old, and a fresh take for players of all types.

  Featuring a Pattern Regualr neck profile.
  The S2 Singlecut Standard’s warm, woody tone and focused midrange make this guitar a solid choice for players of all styles and set ups. The solid-mahogany body and clear pickups combine to give this guitar a strong fundamental platform that can easily find its place in the mix. The classic control layout features volume and push/pull tone controls for each pickup, so players can access authentic singlecoil sounds in addition to strong, punchy humbucker tones. The set mahogany neck (paired with a rosewood fretboard) provides remarkable resonance for a fuller tone. All of this paired with PRS low mass locking tuners and PRS adjustable stoptail bridge, nut, and strings, makes the S2 Singlecut Standard an exceptionally versatile guitar with vintage vibe and modern reliability. Whether playing lead or rhythm, live or in the studio, the S2 Singlecut Standard is a reliable tool with extreme versatility and effortless playability.

  Combining the snap and sustain of a bolt-on guitar with the airy resonance of a semi-hollow body, the CE 24 Semi-Hollow is a truly unique addition to the PRS Bolt-On lineup. The body pairs the traditional combination of a mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck features a Pattern Thin carve and satin nitro finish for a natural, addictive feel. The electronics consist of a volume and push/pull tone control with a 3-way toggle switch, giving a total of six classic sounds from the PRS 85/15 pickups.
  The original CE was introduced in 1988, offering players traditional PRS design and quality with the added snap and sparkle of a bolt-on guitar.

  Featuring a Pattern Thin neck profile.
  Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. These attributes have, in turn, become essential to many players trying to tell their story through music. The CE 24 pairs PRS’s traditional body combination of the mahogany back and maple top with a bolt-on maple neck and rosewood fretboard. The neck sports a Pattern Thin carve and satin nitro finish for a natural, addictive feel. To further maximize the guitar’s inherent tone and clarity, the CE 24 features PRS 85/15 pickups, which Paul designed to have remarkable clarity as well as extended high and low end. The electronics consist of a volume and push/pull tone control with 3-way toggle switch for a total of six classic sounds.
  The original CE was introduced in 1988 and offered players PRS design and quality with the added snap and sparkle of traditional bolt-on guitars. Returning after nearly a decade of being out of the lineup, the CE 24 is back and better than ever. Check one out today.