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Designed to rival Grissom’s favorite vintage amps, the PRS DGT 15 is rich with character. With all the magic of smaller-wattage vintage tube amps, it is fully applicable in a modern setting thanks to its extensive highly-functional tone-sculpting controls. Starting with a 3-band TMB tone stack, the DGT 15 also includes a 3-position bright switch, boost, reverb, top cut, and presence front-panel controls. The bright switch can be set to on, off, or on except when the boost is engaged – so you can intricately manipulate the amp’s high-end. The Master Volume can be set to be on, off, or on only with the Boost. The tremolo circuit oscillates the power tube bias (old-school) and features speed and depth front panel controls to dial in to the exact preference.

The PRS DGT 1x12 cabinet features a Celestion Vintage 30 speaker so it can handle high-output with vintage tone and style. With warm low-end, rich, vocal midrange, and detailed top-end, it is the perfect pair for the PRS DGT 15 head. The ported back adds expressiveness to the tone, keeping your sound from any boxiness, and the blonde tolex covering with salt & pepper grill cloth and PRS signature logo make for a handsome cabinet as well.

The PRS Fiore model continues PRS Guitars’ journey into the bolt-on, single-coil guitar world. Developed with guitarist, composer, producer, and instructor Mark Lettieri, the PRS Fiore offers a modern aesthetic, effortless playability, and an addictive and sophisticated tonal canvas.

With the big, powerful amplifiers of the golden age of guitar tone ever harder to use on stage and in the studio, the Carr Bel-Ray reconfigures three legendary ’60s to early ’70s sounds from across the pond into a portable, club-friendly package that dishes out classic British chime, crunch, and kerrang in a format today’s player can actually use.

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.