Search results for 'Paul Reed Smith CE'

This is a rare and highly sought-after 1965 Fender Deluxe (non-reverb) model. Unlike the more common Deluxe Reverb, the non-reverb version is special due to its purer signal path, resulting in increased clarity, tighter low end, and a slightly quicker response. For players who appreciate the simplicity and tonal purity of vintage tube amps, the non-reverb Deluxe offers a sound that's less colored by additional circuitry, making it an excellent platform for pedals or clean tones that cut through the mix.

This amp is in great condition and has been fully serviced and is ready to go. It features the legendary AB763 circuit, known for its pristine cleans and smooth overdrive. Production #3, as indicated on the tube chart. The Warehouse ET65 speaker is a high-quality replacement that enhances the amp’s versatility, offering both warmth and articulation without sacrificing the vintage tone.
Cosmetically, the amp is in great shape with minor wear consistent with its age.

Non-reverb Deluxe amps are harder to find and deliver a unique tonal character that sets them apart from their reverb-equipped siblings. If you're looking for a classic vintage amp with more tonal purity and a responsive, direct sound, this 1965 Fender Deluxe is an absolute gem. Learn More

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.

  The DGT (David Grissom Trem) is the result of more than 20 years of collaboration between Paul Reed Smith and David Grissom. The DGT is based on the McCarty platform with a unique DGT neck shape, taller frets, special pickups, and a revised control layout. Grissom and Paul spent a year A/B-ing more than forty sets of pickups before nailing the vintage-voice of DGT humbuckers. When paired with individual volume controls for each pickup and a push/pull master tone control that operates the coil taps, DGT pickups provide versatility and articulation.
  “The DGT is a product a lot of miles down the road: a lot of gigs, a lot of records. It’s like picking up a vintage guitar. It sounds like a vintage guitar, and out of the box it’s ready to go. There’s a whole lot of thought gone into this. The DGT is pretty perfect to me.” – David Grissom

Designed to rival Grissom’s favorite vintage amps, the PRS DGT 15 is rich with character. With all the magic of smaller-wattage vintage tube amps, it is fully applicable in a modern setting thanks to its extensive highly-functional tone-sculpting controls. Starting with a 3-band TMB tone stack, the DGT 15 also includes a 3-position bright switch, boost, reverb, top cut, and presence front-panel controls. The bright switch can be set to on, off, or on except when the boost is engaged – so you can intricately manipulate the amp’s high-end. The Master Volume can be set to be on, off, or on only with the Boost. The tremolo circuit oscillates the power tube bias (old-school) and features speed and depth front panel controls to dial in to the exact preference.

The PRS DGT 1x12 cabinet features a Celestion Vintage 30 speaker so it can handle high-output with vintage tone and style. With warm low-end, rich, vocal midrange, and detailed top-end, it is the perfect pair for the PRS DGT 15 head. The ported back adds expressiveness to the tone, keeping your sound from any boxiness, and the blonde tolex covering with salt & pepper grill cloth and PRS signature logo make for a handsome cabinet as well.

The PRS Fiore model continues PRS Guitars’ journey into the bolt-on, single-coil guitar world. Developed with guitarist, composer, producer, and instructor Mark Lettieri, the PRS Fiore offers a modern aesthetic, effortless playability, and an addictive and sophisticated tonal canvas.

The Emperor Standard Guitar is Fodera's double cutaway, bolt-on offering, combining the classic sparkle and chime of 60’s and 70’s blues and surf sounds, with added tonal flexibility for today's player. The Emperor Standard features a premium, hand-selected Alder body, Indian Rosewood fingerboard, 3-piece Hard Rock Maple neck, and angled-back headstock. The Emperor Standard Guitar comes with a custom set of Seymour Duncan Single-Coil pickups providing the authentic chime, sparkle, and feel that only vintage single coil pickups deliver. Unique to the Emperor Standard Guitar is a pickup configuration that allows for a wider variety of tonal options compared to traditional single-coil-style instruments. In addition to the traditional 5-way pickup selector, a bridge pickup switch has been provided to allow the bridge pickup to be engaged with any pickup selector position.
(Interesting fact: we recently lent this actual Emperor Standard to Mark Lettieri from Snarky Puppy for a video shoot)

The Imperial Guitar, Fodera's new single cut offering, combines the classic thick and rich tone of guitars from the 50’s updated with modern aesthetic, playability, and construction techniques. The Imperial Guitar features a one-piece, chambered Mahogany body, beautiful Quilted Maple top, 3-piece Mahogany neck, and Brazilian Rosewood fingerboard. This guitar also incorporates a unique stop-tailpiece where a solid brass bar has been inlayed into a fingerboard-matching rosewood shell, providing added mass and sustain. The Imperial Guitar comes with a set of Seymour Duncan Custom Humbuckers providing a full, even, and rich sound with smooth highs, thick lows, and growling midrange.

Organic tones ooze from a pair of Gold Foil Radiator covered Seymour Duncan Phat Cat P-90's bringing a new tonal palette to the Romeo family. Paired with the Les Trem Tremolo system, Romeo LA leans into its hometown’s glam and airy west coast tones. It’s a brand new look and sound that you have never seen or heard in an Eastman.