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This is a rare and highly sought-after 1965 Fender Deluxe (non-reverb) model. Unlike the more common Deluxe Reverb, the non-reverb version is special due to its purer signal path, resulting in increased clarity, tighter low end, and a slightly quicker response. For players who appreciate the simplicity and tonal purity of vintage tube amps, the non-reverb Deluxe offers a sound that's less colored by additional circuitry, making it an excellent platform for pedals or clean tones that cut through the mix.

This amp is in great condition and has been fully serviced and is ready to go. It features the legendary AB763 circuit, known for its pristine cleans and smooth overdrive. Production #3, as indicated on the tube chart. The Warehouse ET65 speaker is a high-quality replacement that enhances the amp’s versatility, offering both warmth and articulation without sacrificing the vintage tone.
Cosmetically, the amp is in great shape with minor wear consistent with its age.

Non-reverb Deluxe amps are harder to find and deliver a unique tonal character that sets them apart from their reverb-equipped siblings. If you're looking for a classic vintage amp with more tonal purity and a responsive, direct sound, this 1965 Fender Deluxe is an absolute gem. Learn More

Sapele, often compared to mahogany because of its look and sound, first joined the Taylor lineup in 1998. Since then, our sapele/spruce 300 Series guitars have welcomed countless players to the all-solid-wood acoustic experience. The limited-edition 50th Anniversary 312ce LTD celebrates and continues that tradition. The cutaway Grand Concert features solid sapele back and sides paired with a torrefied Sitka spruce top. This combination produces a balanced, resonant tone with clarity, warmth and responsiveness. Our special roasting process slightly darkens the soundboard and adds touches of aged-in sweetness and depth from the first time the guitar is played. V-Class voicing architecture inside improves pitch accuracy up and down the neck while boosting volume and sustain. Its slim neck and low action ensure familiar Taylor playability. A shorter, finger-friendly scale length makes fretting easier and reduces string tension, making for an even more inviting playing experience. Gemstone inlays, a bold firestripe pickguard, a shaded edgeburst and gloss-finished body add distinctive visual appeal. Other 50th Anniversary touches include a commemorative label inside, gold Taylor tuners and ebony bridge pins with gold acrylic dots. The guitar comes equipped with an onboard ES2 pickup and ships in a Deluxe Hardshell Case.

Upgraded with a Torrefied Sitka Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

  Introducing Myles Kennedy’s first signature model. Known for his work in Alter Bridge, Slash and the Conspirators, and his own solo recordings, Kennedy is an accomplished guitarist who brings blues and jazz style to rock guitar playing. This new signature model mirrors Kennedy’s rock sensibilities with a nod to historic designs. While the aesthetic may have players hearing chicken pickin’ in their heads – and this guitar can certainly reach twang territory – it is made to play like a rock machine.
  "This guitar captures the spirit of my favorite older instruments. With that said, since we developed this guitar, most of my vintage instruments rarely see the light of day," said Kennedy.

  The DGT (David Grissom Trem) is the result of more than 20 years of collaboration between Paul Reed Smith and David Grissom. The DGT is based on the McCarty platform with a unique DGT neck shape, taller frets, special pickups, and a revised control layout. Grissom and Paul spent a year A/B-ing more than forty sets of pickups before nailing the vintage-voice of DGT humbuckers. When paired with individual volume controls for each pickup and a push/pull master tone control that operates the coil taps, DGT pickups provide versatility and articulation.
  “The DGT is a product a lot of miles down the road: a lot of gigs, a lot of records. It’s like picking up a vintage guitar. It sounds like a vintage guitar, and out of the box it’s ready to go. There’s a whole lot of thought gone into this. The DGT is pretty perfect to me.” – David Grissom

This 315E Mandola from Eastman comes with a K&K Duotone pickup, and offers an overall incredible value. It features all solid wood construction with a beautiful satin finish that is rich and old-world in appearance. With a sound and playability that is as sweet and burnished as its vintage good looks. We don't know of any other products that can compete with Eastman's amazing instruments at this price. Comes with padded gig bag.

  The PRS NF 53 is a powerful guitar that combines classic tones with modern design. Inspired by one of Paul Reed Smith’s vintage guitars from 1953, the PRS NF 53 combines a swamp ash body and 22-fret, 25.5” scale length bolt-on maple neck with maple fretboard with a special set of PRS Narrowfield pickups. The PRS Narrowfield DD (Deep Dish) pickups are made with taller bobbins to fit more winds and extra metal pieces in between the magnets for a more focused, powerful tone.
  “I am so pleased with the feedback from the artists who have played this guitar – everyone is telling us that we have something special here,” said Paul Reed Smith. “If you are a fan of this style and tone, the NF 53 will take you where you want to go. To me to have this kind of beautiful high end without the hum is game changing.”

  This Special Semi-Hollow features a Pattern neck carve, a 10-Top, and a McCarty Sunburst finish.
  The PRS Special Semi-Hollow offers players a versatile hum/“single”/hum configuration with two PRS 58/15 LT humbuckers and a PRS Narrowfield middle pickup. PRS Narrowfield pickups deliver the bite of a single coil, so they cut through the mix with plenty of clarity and punch – without the hum. Paired with a 5-way blade switch and two mini-toggles that split the 58/15 LT humbuckers, this guitar can handle myriad sounds and styles (with twelve pickup combinations in total). Roll back the tone control for added growl, turn it up for some shimmer, and have fun exploring this versatile tonal palette.
  Additional specifications include a maple top, mahogany back, 22-fret 25” scale length mahogany neck, rosewood fretboard, Phase III locking tuners, and the PRS Gen III patented tremolo system. The volume levels between the humbucking and single-coil settings remain very even, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.

IN THE HILLS ABOVE HOLLYWOOD, CALIFORNIA… sit several well known canyons. Beachwood Canyon, to the East of Hollywood, is home to the famous HOLLYWOOD sign. To the West sits Nichols Canyon, where Foxx pedals founder and current Danelectro owner Steve lived with his parents in the mid 1960’s. It was in the garage of that home on Nichols Canyon Place that Steve created his first effects pedal, which he named “The Liverpool Fuzz Tone”. Steve had no money to buy a fuzz and no access to any schematics. So he created a completely unique circuit architecture that has never been seen again. Although he called his box a “fuzz”, it was in fact half way between a distortion and a fuzz. This incredible box dishes out delicious tones unlike those of any pedal ever made. While Steve labored to create this new box in 1966, less than 2 miles away in Laurel Canyon musicians were collaborating on what would become the most famous songs of the 1960’s.

Featurnig an Adirondack Spruce top.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, they bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass flatpickers who must compete with inherently louder instruments such as banjos and fiddles.

  Mark Tremonti is one of rock's leading guitarists. As the guitarist of Alter Bridge and Creed, he has met extraordinary success and continues to grow as both a guitar player and songwriter. While Creed was on tour in support of their first record, My Own Prison, Mark was contacted by PRS and asked if he would like to try one of their guitars.
  Mark Tremonti began to collaborate with PRS on his dream guitar that would soon become the Mark Tremonti Signature. He needed pickups that were a little more aggressive and could complement his rhythm playing which contains a lot of palm muting. The neck of the guitar needed to accommodate his style, influenced by thrash metal, shred, and traditional blues. PRS met these needs with the Pattern Thin neck carve.