Amplifiers

The Hi-5 is a true studio-quality tube amplifier designed for practice, recording, and small gigs. It features classic British Hiwatt Clean and Overdrive channels. Compact and engineered for sound quality - hear the BIG difference a small amp can produce. We are now talking some serious tone.

  Hombre, Suhr’s take on the classic Brownface tones that have inspired John Suhr since his early days as a guitarist. The intention was clear: create a modern take on these classic designs while preserving the vintage heritage.
  The purity of the signal path is part of Hombre’s beauty. It results in a playing experience that is incredibly dynamic and touch-sensitive. A simple turn of the volume and tone controls will put a shocking range of sound at your fingertips.
  Clean tones are classic, gorgeous and bell-like, but make no mistake, this amp is a dirty little combo. It wants to be pushed into sweet overdrive, conjuring tones from the 1970s era of Texas blues-rock.
  The onboard Dynamic Tube Bias tremolo imparts an unmistakably rich, sought after sound, that simply can’t be imitated. Hombre is driven by an 18-watt 6V6 power section and features a lightweight cabinet loaded with a 12" Celestion V-Type speaker.

The Hi-5 is a true studio-quality amplifier designed for practice, recording, and small gigs. It features classic British Hiwatt Clean and Overdrive channels. Compact and engineered for sound quality - hear the BIG difference a small amp can produce. We are now talking some serious tone.

Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.
  Here's a 1972 Fender Super Reverb in excellent condition, and in perfect working order. This Super has a voice that is both rich and smooth, providing a clear and punchy sound that sparkles with the best. Recently serviced, the amp is able to deliver huge cleans and incredible power like few other Fenders can.
  The circuit and transformers are all original. All electrolytic caps have been replaced with F&T and Vishay caps. New power cables has been installed and grounded correctly. New MOD reverb tank installed and reverb bag cleaned. New JJ GZ34 rectifier tube installed and the bias has been set. All the hardware throughout the amp has been tightened and pots cleaned.
  The speakers are a 2 original vintage Jensen's and 2 modern Fender branded ceramic 10" drivers. These speakers all have clean frames and sound great, easily handling the wattage of the amp. The original smooth black tolex is intact and in good condition The faceplate retains all of the original knobs, and the raised Fender logo on the grillcloth is present too. The stock hardware is present including the chassis straps, corners, handle caps, and tilt-back legs. A set of casters has also been installed.
  This vintage Fender Super Reverb has been thoroughly serviced and retubed and is ready for stage and studio use.

Vintage 1971 Marshall model 1961 "Bluesbreaker" 4x10 combo, 50 watts with tremolo. This amp is super rare and super cool. The condition is very good. The grill looks great, with a few scuffs. The speakers are original with an offset 4x10 configuration. The tolex is fine and looks good. It works great, and it really sounds amazing. Eric Clapton used a four 10" model in the earliest days of John Mayall. A must have for the Marshall enthusiast!

  In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
  Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED

-EL84 British inspired tube circuitry
-Master volume for versatility and performance
-Speaker emulated headphone out for silent practice
-Custom British style speaker by Warehouse Guitar Speakers
-Finger jointed birch ply cabinets with wrap around woven -fiberglass grill cloth
-100% cotton textile black covering
-Nickel plated vents and glass beaded chevrons
-Custom made knobs with etched control plate
-100% designed and made in the USA

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.