Acoustics

Another spectacular instrument from Dana Bourgeois. A Bourgeois DB Signature D built in 2007. This is a fantastic guitar that has opened up beautifully over the past 18 years. The tone of this Madagascar Rosewood is extremely similar in look and tone to Brazilian Rosewood. Nice, strong bass fundamental, great projection, extremely loud and punchy. It's an "all-day-every-day" dreadnought acoustic; you'll never want to put it down. Thanks to the magic of the Adirondack spruce top you get huge low end, crisp and bright high end with lots of punch, and tone and volume that does not break down. No matter how hard you strike this instrument, it just gets louder and never gives out. This guitar has overtones for days with plenty of cut and articulation for serious flatpicking. It is without a doubt a guitar of a lifetime!

A spectacular US-made, all-solid wood 12-string; the Larrivee J-03-MH Jumbo 12-String features a Moon Spruce top, and mahogany back and sides. HUGE sound from the Jumbo body, with a gorgeous, wide frequency response. This is what you want a 12-string to sound like. Additional features such as Rosewood binding, bone nut & saddle, abalone rosette, and 1-piece mahogany neck, are the sort of high-end touches you expect from Larrivee. Comes with hardshell case.

Here is a beautiful Epiphone Masterbilt De Luxe Archtop in Vintage Sunburst, perfect for jazz, blues, or anyone who loves that warm, vintage archtop vibe. This guitar is a great mix of classic looks and modern craftsmanship. It is in near-mint condition with barely any signs of use. No major dings or scratches, just super clean all around. Comes with a hardshell case to keep it safe and sound. If you’re looking for a killer archtop with vintage vibes and modern reliability, this one’s a winner.

  The Bourgeois HSV-D features extraordinary Brazilian Rosewood back and sides, showcasing a stunning palette of colors: from deep browns to reddish hues, with distinctive spider webbing and a striking sapwood center. The Brazilian Rosewood on this guitar has a unique provenance: it was acquired by Dana Bourgeois from the estate of the late Don Sharp, a legendary master luthier. Don Sharp, who tragically passed away in November 2021, was celebrated for his exquisite custom handmade acoustic guitars, including his renowned harp guitars valued between $8,000 and $12,000. His legacy of craftsmanship adds a rich historical significance to this exceptional instrument.
  Paired with an Adirondack Spruce top, this guitar delivers amazing power, clarity, and responsiveness. The Adirondack top, famous for its wide dynamic range, gives you crisp attack and sparkling trebles that shine whether you’re flatpicking or fingerpicking. It's a guitar that not only looks incredible but sounds just as inspiring.

Blending inspiring nylon-string tonal flavors with smooth playability, the 212ce-N Plus is a professional-level instrument that comes at an appealing price. Thanks to a 12-fret neck, slightly wider 1-7/8-inch nut width and slender Taylor neck, this cutaway Grand Concert is one of the most playable nylon-string guitars on the market. Pairing a solid torrefied spruce top with layered sapele back and sides yields an articulate, snappy sound that classical and steel-string players will find inspiring. Taylor's roasting process for the soundboard adds a splash of played-in sweetness right out of the box. Specialized interior bracing ensures a clear, open voice that's responsive to a light touch and long on sustain. An onboard ES-N pickup produces a natural, authentic nylon-string sound in amplified settings. This Plus model boasts a gloss-finished body with black binding, a slotted peghead, an Italian acrylic rosette, 4mm dot fretboard inlays and classical nickel tuners with faux pearl buttons. It ships in a lightweight, durable AeroCase.

Designed for players who crave the rich octave shimmer of a 12-string, the all-koa 264ce-K DLX serves up a vibrant, punchy tone and a gorgeous visual aesthetic. With a solid koa top and layered koa back and sides, this versatile Grand Auditorium yields a bright, focused tone that matures with play into an increasingly warm, rich, sweet sound. The slender, comfortable Taylor neck boasts a 1-7/8" nut width, inviting effortless fretting, while the Venetian cutaway provides easy access to the upper frets. A full-body gloss finish and shaded edgeburst accentuate koa's natural allure. The 264ce-K DLX ships with built-in ES2 electronics and a deluxe hardshell case.

Crafted with all-solid tonewoods, tone-enhancing interior bracing and a striking sunburst finish, the Taylor 314ce Studio makes pro-quality sound more accessible than ever. This versatile, comfortable Grand Auditorium acoustic-electric boasts back and sides of solid sapele, a mahogany-like tonewood with a warm, punchy midrange voice. A solid top of torrefied Sitka spruce yields bold projection and a warm, aged-in quality thanks to our special roasting recipe, while our V-Class bracing adds more volume, longer sustain and clearer harmony between notes all the way up the neck. A narrower nut width of 1-11/16 inches and our slender neck profile makes for buttery-smooth fretting at any skill level, and the onboard ES2 electronics make it easy to plug in and play with clear amplified tone. This model is finished with an attractive shaded edgeburst top treatment and an all-gloss body, and includes a structured gig bag for convenient storage and portability.

For players seeking the rich, sophisticated acoustic tone and bold projection that comes with an all-solid-wood guitar, there may be no better value than the Taylor 314ce Studio. Now the lowest-priced gateway to the solid-wood experience in the Taylor line, this Grand Auditorium acoustic-electric combines back and sides of sapele with a torrefied spruce top, adding up to a punchy midrange response with a clear, woody character and an added dash of warmth and sweetness from our special roasting recipe. Inside, our V-Class bracing dials up more volume, longer sustain and improved harmony all the way up the neck. This model also features comfort-enhancing chamfered body edges and a slightly narrower fretboard of 1-11/16 inches, offering a hand-friendly feel that makes fretting a breeze regardless of your skill level. Finished off with a full-body gloss, nickel hardware and a faux tortoiseshell pickguard, the 314ce Studio includes ES2 electronics for faithful plugged-in tone and a structured gig bag.

Taylor puts an all-walnut spin on their renowned Academy Grand Concert model. The slim, ergonomic, easy-to-hold Grand Concert body is comfortable for a wide variety of players. A solid walnut top and layered walnut back and sides produce a bright, clear tone that also delivers formidable body and projection. ES-B electronics effortlessly electrify your playing and authentically capture the 22e's rich unplugged tone.

Larrivee's Traditional Series was created with two things in mind: Create an instrument with traditional 'vintage' features like a flat-top headstock, hand-carved volute, and diamond inlays; but at the same time maintain the unique tonal balance of the standard Larrivée symmetrical parabolic bracing system. An enlarged soundhole allows significantly greater mid-range punch, emphasizing the low end, and increasing overall volume. This 50 Series features Larrivee's highest grade mahogany, herringbone trim, and traditional angled bone nut. The casted bronze open-back tuners feature engraved design work by Wendy Larrivee. One of the many fine details that put this series in a category of their own.

Salvaged from the ancient Koa forests of the Big Island of Hawaii, the Hawaiian Country Boy’s Koa backs and sides sound as good as they look, offering a rich midrange and a touch of island warmth that will deepen over time. Dana Bourgeois has personally selected each old-growth Bearclaw Sitka Spruce top in this series. Chosen for their bright and responsive tap tones, each one was hand-voiced at Dana’s small workshop in Maine. By combining the warmth of Island Koa with the sparkle of winter spruce, the Touchstone Hawaiian Country Boy has been designed to respond equally well to delicate fingerpicking and lively strumming.