Amplifiers

  In the twilight of the 1960s, SF Bay Area amp repairman to the Stars, Randall Smith, was inspired to start building his own amplifiers after coming to a deep appreciation for the '50s Tweed circuits developed by Leo Fender. He loved their organic sounding voice, powerful controls and the way they smoothly transitioned from clean to clip and back again.
  Standing on the shoulders of a giant, Smith’s (and the World’s) first venture into boutique guitar amplification resulted in a new Boogie amp design inspired by that wonderful, timeless sounding preamp. Five Decades later we return to pay homage. Now, drawing on these 50 years of experience, we bring forward an exciting new realm of tweed-based performance and authentic 6V6 character. A beautifully simplistic design that raises the bar in the world of vintage tone. The NEW CALIFORNIA TWEED

-EL84 British inspired tube circuitry
-Master volume for versatility and performance
-Speaker emulated headphone out for silent practice
-Custom British style speaker by Warehouse Guitar Speakers
-Finger jointed birch ply cabinets with wrap around woven -fiberglass grill cloth
-100% cotton textile black covering
-Nickel plated vents and glass beaded chevrons
-Custom made knobs with etched control plate
-100% designed and made in the USA

Introducing the MESA/Boogie Fillmore 25. Joining the award-winning Fillmore 50, the new Fillmore 25 shows up to claim the bantam-weight class with a compact 6V6 format. Authentic traditional tones abound in this new Fillmore’s popular power range, from clipped cleans, to a purring grind, all joined by the preamp’s higher gain realm delivering blistering tube overdrive like only a MESA can. The 25 also features tube-driven spring reverb that provides some of our lushest, richest reverb to date. Experience the 50's circuit, soul and clip-ability coupled seamlessly with the realm beyond where traditional amp evolution tapped-out in the twilight of the 60s with the new Fillmore 25. Finally, you can have the original Boogie-sized footprint, preamp flexibility to cover any style, and Traditional, old-school dress in the perfect power range! …Tone for days that brings back The Years!

  The Fillmore is not just another Boogie…it's a new strand of Boogie DNA. Yet the molecules that make up this soulful sounding model are really just a revisiting of the companies earliest roots. Randall Smith's very first Boogie’s were based on this architecture. It was only the success of another "MARK I Experiment" featuring a different branch of the tree used by Carlos Santana on his "Abraxas" album that catapulted that sound and circuit and caused the shelving of circuitry the Fillmore now resurrects with such beauty and authenticity.
  At the heart and soul of the Fillmore 50, you'll discover soft-clip-to-saturated. Mesa/Boogie's most expressive gain ever presented in a simple 2 (identical) Channel, 3-Mode platform, served up in traditional-sized and dressed combo and head formats.
  Humbly named in tribute to the renown bi-coastal venues that showcased the biggest names in Classic Rock over decades, this new instrument has been dubbed super-responsive, nuanced, organic… and "vintage-inspired Magic" by those who’ve experienced it. Subtle saturation that serves, not smothers, your style.

By itself or as a companion to a 1x12 or another 1x15 cabinet, our most popular single speaker format is the 1x15 Ultra-Lite. A little larger footprint (than the 1x12) accommodates the needed internal volume to match the 15” Full Range driver and create this, warm, huge sounding compact cabinet that shines for everything form old-school Blues and R&B to scooped modern Slap and tight, picked Rock styles. Our sweet High Frequency Driver ensures the detail remains intact and imparts an adjustable Hi-Fi character to the sound. By itself, or as a foundation for further coloring with 10s or 12s, the 1x15 anchors the Subway Cabinet Line with its flexibility, warm and accurate performance across the full range, and ease of transport.

The 2x10 is the compact solution for players who prefer the midrange articulation and focus of 10s, but need a smaller option than the classic 4x10. Combining two allows a more portable solution than one heavier quad-box and the ability to take one for rehearsal or small venues and two for gigs with louder bands or in bigger venues. Using the 2x10 in combination with a 1x12 or 1x15 imparts color, articulation and iconic midrange punch along with more volume. Built with all the same woods, aircraft-style bracing and Tri-Port™ porting, the 2x10 Ultra-Lite brings another key voice to the modular approach in compact, lightweight Bass Cabinetry.

The JCM25/50 Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Inspired by this acclaimed series the 20 Watt Mini Jubilee combo and ‘small box’ head combine classic Silver Jubilee preamp tone, features and styling in a lower power, "mini" design. This contemporary "mini" take on the Jubilee Series features: an ECC83 & EL34 valve-set, High/Low output switching, (20 Watt to 5 Watt), FX Loop and independent 4/8/16 Ohm speaker outputs. The 2525C combo is loaded with a single 12″ Celestion G12M-25 Greenback speaker. In keeping with classic Jubilee tone, Mini Jubilee features preamp circuitry taken from the 2555X which was launched in 2015 and made using the original diagrams. The amp also features classic silver vinyl and chrome plated panelling to complete the Jubilee look. The 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England.

The ever-popular Varsity, in a reverb version. The Varsity is quickly becoming a favorite for gigging guitarists all over the planet (ask Jeff Beck about his). Now there’s an even more versatile option – The Varsity Reverb. Same specs and great tone.

Amazing sounding vintage Marshall Super Lead 100 head and matching 4x12 cabinet. Both made in 1971. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart".

The AC10 was one of the first amplifiers to bear the VOX name and has long been adored for his ability to achieve rich, articulate tube tone at very manageable volumes. For this reason, the AC10 has become a highly coveted piece of VOX history since it’s discontinuation in 1965. Now, nearly 50 years later, VOX is proud to introduce the AC10C1, a modern take on this classic design. More portable than the AC15 and more powerful than the AC4, the AC10C1 features the classic Top Boost tone circuit that provides an array of classic and modern tones. Now equipped with reverb and a master volume, the AC10C1 is the perfect companion for the home, studio or stage.

Clothed in the vintage brown and gold cosmetic, the Panoramic Stereo brings the Magnatone stereo experience to a smaller, more convenient size. Two 10” speakers are powered by four EL84s push pull 12 + 12 watts of all tube stereo power for a very compact and wide sounding amplifier. All of this plus Magnatone’s exclusive Varistor Pitch Shifting Vibrato and a full length Accutroics reverb tank means you can get the sound of a Twilighter Stereo in the perfect size for grab and go gigs or rehearsals.