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      "It's been a dream of mine for years to design a guitar that includes some of my favorite vintage specifications but with a modern spirit and aesthetic. After two years of study and refinement, the Silver Sky is my vision of what a reboot of the electric guitar should look and feel like." – John Mayer
      The PRS Silver Sky is the result of a close collaboration between Grammy Award-winning musician John Mayer and Paul Reed Smith. More than two and half years in the making, the Silver Sky is a vintage-inspired instrument that is at once familiar but also newly PRS through and through. This model was based off of Mayer and Smith’s favorite elements from 1963 and 1964 vintage instruments, resulting in an idealized version of a vintage single-coil guitar. The attention that was paid to every detail sets this guitar apart.
      Some of the more distinctive specifications include, the headstock shape, tuners, neck and fretboard, bridge, and pickups and electronics. The headstock shape is based on PRS’s trademark design, but inverted to both accommodate Mayer’s playing style and also to keep a consistent length of string behind the nut, which makes staying in tune easier. The tuners are a traditional vintage-style, closed-back tuner, but with PRS’s locking design. The neck shape was modeled after 1963/1964 vintage instruments, and the fretboard has a 7.25” radius. The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. The 635JM single-coil pickups are very round and full, with a musical high end that is never “ice-picky” or brash.
      Other high-quality specifications include a bone nut, a molded metal jack plate that is curved and makes plugging and unplugging a guitar cable hassle-free, retooled knobs, fretwire that is slightly smaller than what you’d find on most PRS electric guitars, and PRS’s double action truss rod (accessible from the front of the headstock for ease of use).

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  2. Paul Reed Smith McCarty 594 Semi-Hollow Limited 10-Top - Violet #5105

      Here's a beautiful Semi-Hollow McCarty 594 Violet. It features a highly figured flamed maple 10 top, 58/15 LT (Low Turn) pickups to deliver vintage hum bucking and single coil tones, push/pull coil taps on the tone controls, and updated Phase III locking tuners that transfer more energy to the headstock.The guitar's f-hole and semi-hollow body give the instrument a breathy tone and rich resonance.
      The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.

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  3. Paul Reed Smith Custom 24 - Violet Blue Burst Wrap #6244

      The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars' first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features a Pattern Regular neck profile, PRS's patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
      The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.

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  4. Paul Reed Smith Special 22 Semi-Hollow Limited Edition 10-Top - Aquamarine #4903

      Featuring a 10-Top with an Aquamarine finish. This PRS Special 22 Semi-Hollow Limited Edition guitar offers players a versatile hum/single/hum configuration with two PRS 58/15 MT (Multi-Tap) humbuckers and a PRS Narrowfield middle pickup. McCarty Sunburst finish. The 58/15 MT’s offer all the tone of the originals while compensating for volume loss when split to single coils. The Narrowfield pickup delivers the bite of a single coil – without the hum but with plenty of clarity and punch. Paired with a 5-Way blade switch and two mini-toggles that tap the hum- buckers, this guitar can handle myriad sounds and styles, and the semi-hollow body with single f-hole provides a welcome airiness and depth to the guitar’s tone.
      The foundation of this guitar is very much like a Custom 22 – maple top, mahogany back, 22-fret 25" scale length mahogany neck, rosewood fretboard, Pattern neck profile, Phase III tuners, and PRS Gen III patented tremolo – but the versatile electronics truly carry it to new sonic territory.

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  5. USED 2015 Tom Anderson Drop Mongrel w/Flame Top Natural Autumn Burst

      Here's a gorgeous Tom Anderson Drop Mongrel. It has the best parts of a Strat and Tele rolled into one single guitar. Built in 2015. Beautiful flamed maple top on an Alder body in Natural Autumn Burst finish. In near mint condition. One of the most comfortable guitars you'll ever put your hands on. Super easy to play. Extremely loud and resonant when played acoustically which is always the sign of a superior instrument. The 5 way switch with a push pull pot to add the bridge allows you to get all the classic Start and Tele tones, and the pickups are noiseless too. Extremely light weight too at a mere 6 pounds 10 ounces.
      New retail price for this guitar was $4374 with a street price of $3368. Grab this killer guitar for a fraction of that price!
      From Anderson: The Drop Mongrel is any of our wonderful Anderson "T" models with full and comfortable body contours, crowned with an "S" pickguard. Appointed with our Anderson assembled Vintage Trem. All together this makes one superbly cool, familiar and yet totally unique guitar that possesses some attributes never before accessible in one instrument. A perfect combination. A real Mongrel (Drop Mongrel).

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  6. Eastman T59/V-AMB - Semi-Hollow - Antique Amber Varnish Finish #0816

    Neck Material: Maple
    Fingerboard: Ebony
    Fingerboard Radius: 12"
    Neck Profile: Traditional Even "C"
    Nut: Bone 1 3/4"
    Fretwire: 22 Medium Jumbo Jescar 47104
    Scale Length: 24.75"
    Body Style: 16" Thinline
    Body Dimensions: 16" x 1 3/4"
    Body Top: Deluxe Maple Laminate
    Body Back/Sides: Deluxe Maple Laminate
    Truss Rod: Single Acting
    Binding: Headstock, Neck, Body,
    Binding Material: Ivoroid
    Logo: Pearl Headstock
    Inlay: Pearl Split Blocks
    Finish: Antique Varnish
    Hardware Color: Aged Nickel
    Pickguard: None
    Tailpiece: Gotoh Relic Series GE101A
    Bridge: Gotoh Relic Series GE104B
    Tuners: Gotoh Relic Series SD90
    Knobs: Amber Speed Knobs
    Neck Pickup: Seymour Duncan Antiquity
    Bridge Pickup: Seymour Duncan Antiquity
    Pickup Height: 3/32" bass side, 3/32" Treble Side
    Pickup Frame: Black Plastic
    3 Way Switch: Switchcraft
    Switch Tip: Amber Switchcraft
    Capacitors: 0.022μF
    Potentiometers: 500K AudioTaper
    Output Jack: Switchcraft
    Strings: D’Addario NYXL .010 - .046
    Case: Hardshell Case

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  7. 1986 G&L Broadcaster serial #00002

    Every now and then a guitar comes along that has so much documented history, it reads like a great book. This guitar can be traced back to it's inception. We have a 1986 G&L Broadcaster serial #BC00002. Check that out. Number 2! Here's the story: This guitar was purchased from Kenneth Hyatt, son of the late Dale L. Hyatt. Dale Hyatt was one the original partners of G&L, along with Leo Fender and George Fullerton. The entire saga is written up by My Hyatt's son in a several-page letter that will be included with the guitar. The history is eloquently written and quite fascinating; detailing the history of G&L. I'll give a brief synopsis: Dale Hyatt had worked with Leo Fender for years, back in the Fender days and again, with G&L. When George Fullerton left, Dale Hyatt took over the day to day management of the factory. Mr Hyatt had a keen sense of history and kept the first serial number plates, 00001 to 00059 for special models. In 1986 this guitar was built for Dale Hyatt using the early serial plate and it is signed by Leo Fender.

    This guitar is in mint condition. It has never been played and still has the protective plastic covering on the pickguard. We also have the original shipping box! The "black on black" design again was Dale Hyatt's idea. This instrument is not only historically significant, it's a fantastic guitar.

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    - XCS-2
    - Alder Body
    - Lake Placid Blue over Blue Paisley
    - Heavy aging
    Master Grade Roasted Flamed Maple Neck  
    - Modern C Neck Shape 
    Master Grade Roasted Flamed Maple Fingerboard
    - Ivory Inlay
    - 9.5" Compound Radius
    - 6150 Med Jumbo Frets
    - Mint Ivory 3P Pickguard
    - Gotoh Locking Vintage Tuners 
    - RV-50 Neck & Middle Pickup
    - RV-PAF F-space Bridge Pickup
    - Hardshell Case

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  9. Paul Reed Smith SE Custom 24 Zebrawood #9170

    The PRS SE Custom 24 is the quintessential SE instrument, designed to faithfully reflect the PRS model that started it all. The SE Custom 24 with Zebrawood veneer comes finished in Vintage Sunburst, adding a distinctive new look while serving up classic PRS playability, reliability, and vibrant tone. This model keeps all the same foundational specifications as the SE Custom 24: maple top, mahogany back, Wide Thin maple neck, 24 frets, 25” scale length, the PRS patented molded tremolo, and dual 85/15 “S” pickups with a 3-way blade switch and push/pull tone control for coil tapping. Gig-ready, studio sound, and sure to turn some heads.

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  10. SUHR CLASSIC T - Trans Butterscotch #0J3P

    The new Classic T features a 60's C vintage standard neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

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  11. Suhr Classic T 2-Tone Tobacco Burst #6Z0N

    The new Classic T features a 60's C vintage standard neck profile. The Classic T retains many of the original specifications of the Classic T Pro including the SSCII hum canceling system and stainless steel frets. The Wilkinson compensated 3-saddle bridge provides classic 3-saddle tone with superior intonation.

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  12. Suhr Classic S - Olympic White #7D0H

    The new Classic S features a new 60’s C vintage standard neck profile with indian rosewood or maple fingerboard and V60LP single coils. The Classic S retains many of the original specifications of the Classic Pro including the SSCII hum cancelling system and stainless steel frets. Proprietary Suhr locking tuners and the Gotoh 510 tremolo provides superior tuning stability.

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