Search results for 'Fender mustang'

Ask a bunch of pro guitarists, "What's the world's best guitar amp?" You'll get a lot of answers to that question, but I guarantee you on most people's list there will a Fender Deluxe. They are such great amps. Here we have a 1965 Fender Deluxe. It is non-reverb Blackface model and in excellent condition. Many prefer this non-reverb version as it has more headroom (just ask Mike Campbell). The speaker has been changed to a Celestion Vintage 30. It has just been completely gone through and is in tip top condition. Here's what was done: Internals completely cleaned. Wires cleaned. New F&T capacitors and Vishay power resistors of the correct value installed in filter circuit. Excess wire shortened and neatened. Chassis grounds done properly. Remaining electrolytic caps (bias and cathode bypass caps) replaced with new F&T and Vishay capacitors. The output transformer has been replaced. It is an original Fender Schumacker transformer and is dated 1968. It is the same transformer as would have come in the amp in 1965, with the only difference being the "1" and "8" on the end-cap of the label. Old solder removed, cleaned, and redone properly. Plate resistor replaced with 1/2W 220K carbon composite resistor. Replaced LFP caps with 1KV ceramics that won't fail. New three-pronged grounded power cable installed. AC wiring redone per safetly code. Old "death cap" removed from Ground Polarity circuit. So this amp is good to go. This is an awesome amp, perfect for small gigs or recording.

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

Upgraded with light-weight Okoume body.

In the late 1970s, Clarence Leo Fender† was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.

The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

Upgraded with light-weight Okoume body.

In the late 1970s, Clarence Leo Fender† was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.

The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

This is a relatively new guitar, but it's loaded with history. Here we have a 2016 Paul Stevens Guitars Thinline Tele. This fine, hand built guitar was made by English luthier, Paul Stevens in England. The body is made from 150 year old pine salvaged from a house in South London. It has a highly figured Redwood top that is gorgeous. So good looking, that Stevens currently has it featured on the front page of his website.  Inlaid on the back of the headstock is a Victorian era sixpence. So, already we got history and mojo. The neck is maple, and was hand shaped by Paul. It has a Fender Wide Range humbucker in the neck position and a Bare Knuckle Yardbird single coil bridge pickup. This is a great guitar, made by an up and coming maker, very unique and cool. It plays perfectly, and sounds great. I think Keith Richards would love this guitar. The wood on the back and top has all the natural worm holes and knots, it so adds to the vibe. Comes with Hiscox hard case. New this guitar would be more than £2000 UK pounds (the equivalent of $2700 US dollars). Nice and light weight too at a mere 6 pounds 10 ounces. Grab this special guitar at a hell of a deal.

Pre-Owned and in mint condition. The Ernie Ball Music Man Cutlass guitar pays homage to the vintage styling and cosmetic appeal of Leo Fender’s original Music Man models. Updated vintage spec electronics, super smooth vintage tremolo system, and lightweight alder and african mahogany bodies are welcome refinements to these new modern renditions. 
Oversized 4 over 2 headstock with straight string pull for superior tuning stability and flawless craftsmanship throughout make these new modern classics a perfect culmination of old world aesthetics and styling with modern design and playability. 
Now available with a new Ernie Ball Music Man custom designed bridge humbucker delivering crunchy rhythm and cutting lead tones. The new HSS Cutlass bridge humbucker gives added output with warm vintage style tonality.

This LsL T Bone T-Bone Model is a modern rendition of one of the best '50's or '60's T-style guitars you will ever play. This is not a partscaster guitar like many in its price range. The T-Bone features a swamp ash body, fuller 50's style profile maple neck, and LSL custom-wound pickups. The metal parts, hardware and fretboards are manually aged to create a near-authentic, played (but not beaten) appearance. The thinnest possible nitrocellulose lacquer finish is applied and then weather checked. This contributes to a very airy, open, articulate tone that is then enhanced by LsL's hand-wound pickups. Played acoustically, this guitar is extremely loud and resonant...that's always the sign of a superior instrument. The neck is straight and true. The frets are in perfect condition. It's ready to take directly to your gig right now. It sounds great, plays great, and feels great. It is as close as you can get to achieving the tone, playability, look, and feel of a great vintage guitar.

A cutlass is a sword right? And a car as well, so it seems appropriate to name a guitar that. It's such a swashbuckling sort of name. This is a new model for Music Man. It is set up with one humbucker in the bridge with two single coil pickups. It has a vintage sunburst finish, rosewood fingerboard and tremelo. The pickup set up is awesome, very versatile. The neck feels great, the sound is phenomenal. I like this model a lot, it has a vintage vibe with a modern sensibility. It covers all the basses. Comes with hard case.
The Ernie Ball Music Man Cutlass guitar pays homage to the vintage styling and cosmetic appeal of Leo Fender’s original Music Man models. Updated vintage spec electronics, super smooth vintage tremolo system, and lightweight alder and african mahogany bodies are welcome refinements to these new modern renditions.
Oversized 4 over 2 headstock with straight string pull for superior tuning stability and flawless craftsmanship throughout make these new modern classics a perfect culmination of old world aesthetics and styling with modern design and playability.
Now available with a new Ernie Ball Music Man custom designed bridge humbucker delivering crunchy rhythm and cutting lead tones. The new HSS Cutlass bridge humbucker gives added output with warm vintage style tonality.

Was it Lloyd Price that had that great song, "Personality"? I think it was. Now, of course, all guitars should have personality. I mean, what kind of world would this be with guitars that have no personality? I shudder to think. Now this guitar has personality out the ying yang. Here we have a 2013 Fender American Deluxe Strat Plus with an unusual feature: a built-in feature that allows you to change tone, pickup selection, basically rewire your guitar by changing "PERSONALITY" cards. It's easy to do. They fit in a cavity on the back. It's nice and quick, and it is really cool. The finish is an mystic ice blue metallic, maple fingerboard, three ply mint green pickguard and backplate that still has the protective plastic coating. The guitar is unplayed. It could easily pass for brand new. It sounds great. With the "Personality" cards, you have unbelievable options regarding tone. Comes with three cards (the Standard one is inside the guitar, Cutter, and Blender are included inside the case), trem bar, original case, strap, and case candy.

Upgraded with Tamarind Top over an Alder body

Model: JB
Body Wood: Alder
Top: Tamarind
Body Finish: Honeyburst
Pickguard: 3-ply Black/White/Black
Bridge: Saddle-Lock
Neck Profile: #8 G&L Medium C (.820-.920)
Nut: Bone
Nut Width: 1 1/2"
Radius: 9.5" Radius
Neck Wood: Hard-rock Maple
Fingerboard: Maple
Neck Finish: Satin Light Tint
Frets: Medium Jumbo
Inlay: Black Pearl Face Dots
Tuners: G&L Ultra-Lite
Pickups: G&L JB Alnico 5 Single Coil
Controls: Dual Volume, tone
Setup: PLEK
Case: Deluxe Black Tolex