Search results for 'Fender mustang'

  Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

  Up for sale is a cool, clean, and somewhat rare 1968 Fender "Drip Edge" Showman Amp head. Serial number A13754. This was previously owned by the guitarist from the legendary Memphis band, Target. Target had a large Mid-South regional fan base in the early 1970's and opened for Black Sabbath, Boston, and Kiss. Their lead singer, Jimi Jamison, went on to become the front man for Survivor and sang on a bunch of their hits; "I Can't Hold Back", High On You", "The Search Is Over", and "Burning Heart". It has "Target" stenciled on the top. It puts out roughly 85 watts with a set of vintage RCA 6L6 power tubes, nice vibrato, and clean headroom for days. Overall in very good to excellent condition, and sounds and functions great. The transformers are original. Output transformer coded 606816, dating it to 1968. Sweet vintage Fender!

  Please note, we no longer ship vintage amps. They are local pickup only. Give the store a call for more information 901-729-2466.

  This is a vintage 1962 Fender Brownface Deluxe. It is an original Deluxe, not a reissue. 1962 was a great year for music. It's the same year Booker T. & the M.G.'s are formed here in Memphis, TN. The Beatles played their first session at EMI's Abbey Road Studios in London. Mick Jagger and Keith Richards met Brian Jones at the Ealing Club, a blues club in London. And this amp was built.
  One of the most celebrated guitar amplifiers ever produced, the Fender Deluxe has been in continuous production, in various versions, since 1946. Originally introduced as the Model 26 with a 10" speaker and wood cabinetry, the model was rechristened the Deluxe in 1948, and fitted with tweed covering and 12" speaker. Upgraded to 15 watts in 1954, the Deluxe was redesigned with the lustrous brown Tolex covering in 1961. Produced only until mid-1963, brown Tolex models are among of the rarest of all Fender amplifiers.
  This is an exceptionally fine example of pre-CBS production. It's so clean it could easily pass as a reissue. This 1962 Fender Deluxe amp features hand soldered point-to-point circuitry, and a classic 12" blue Jensen t speaker. Six knob layout includes Normal and Bright channels, the latter with tremelo Speed and Intensity controls. All original gleaming brown Tolex covering, grille cloth, knobs, foot switch and leather handle. The amplifier has been maintained in uncannily pristine condition and sounds equally amazing. RCA 6V6 power tubes. The handle is a new replacement and the original handle is included. A timeless classic, this brown beauty looks much like it did when it left the Fullerton factory in 1962.

We have a Fender Stratocaster with an Oct 1966 neck, showing some wear, with original frets, original lacquer finish, transition logo, and large headstock. The body is sunburst with a polyurethane finish, and three original grey bobbin pickups stamped 9439. The pickguard is white with white pearloid on the underneath. The pots are 1966, with original plastic wiring. Condition is very good plus. There is wear, nicks and dings, nothing major. It plays great and sounds fantastic. The neck plate is a four bolt F neck plate with serial number 270104 that corresponds to 1969. It has a clean, original black tolex case. It's hard to say if the neck is original to the body. You can make a case either way. I much prefer the lacquer neck, it feels great. It is all original vintage Fender parts, bridge saddles, three way switch and back cover plate.

Here's a 2016 PRS CE24 in a custom color -  Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

Immortality, that's what humans have longed for since the beginning of time. Y. Sandoval has achieved immortality in a weird way. Who is this person? Well, we don't know much, but he or she worked for Fender in 1969, 1970, and perhaps longer. This person took pride in their work because the 1970 Fender Telecaster we have has a rubber stamp ink marker, "Wired By Y. Sandoval" stamped under pickguard. How cool is that? I've seen a 69 tele that has the same stamp. I love that. Here you are working a job, it's a paycheck, then almost 50 years later somebody calls you and says, "You did an excellent job wiring the Fender Telecaster I just got." That would have to make to you feel great. Here we have a 1970 Fender Telecaster. It's all original with a maple fingerboard. The pickguard is original with the pearloid pattern on one side. The pots are dated 1966 which is correct. There is some cosmetic wear: a scrape down to the wood on one side, various nicks and dings. Overall, it's clean, especially considering the age. The frets are fine. It plays great, and sounds fantastic. Thanks to the excellent wiring job by Y. Sandoval, the electronics work perfectly. This is a great Telecaster and comes with original hard case. With any luck you might hook up with Y. Sandoval and have a drink, and talk about your guitar.

  It's a rare occurrence to come across a vintage guitar with provenance. Many guitars have stories, but few can be proved. The story behind this guitar is amazing, and is well documented. This prototype G&L ASAT Classic was built for Dale L. Hyatt who was a close friend and partner of Leo Fender in the G&L guitar company. Mr. Hyatt worked closely with George Fullerton and Leo Fender on designs. Mr. Hyatt kept prototype guitars in his office to get feedback from dealers and players, with the thought of using their input in future designs. This guitar is a prototype, made for Mr Hyatt in 1991. It has two features that are unique and non-standard. First is the intensely figured Birdseye Maple neck that is drop dead gorgeous. Hyatt had been working with Gulag Gidwani, the owner of an exotic wood supply company that specialized in providing high end woods to instrument manufactures. The wood on the neck was purchased specifically for this instrument from Gulag's inventory. The second unique feature is the special two-tone, black/chrome Schaller tuning machines. These tuners were out of a prototype batch of tuners made by Helmut Schaller and were custom made for Mr. Hyatt. 
  It was Mr. Hyatt who convinced Leo Fender to name this model "ASAT Classic" because he felt it was classic in the same vein as the ASAT, featuring more traditional specs. The guitar was kept by Mr. Hyatt after his retirement and later on passed to his son. It is mint, not tampered with, and unplayed. It is the only one on the planet. Comes with original G&L advertisement pages from the time, G&L brochure, a copy of the G&L handwritten production sheet from 1991 showing this guitar, documentation from Kenneth L. Hyatt, Dale's son, who still works for G&L, a photo of Mr Hyatt with the guitar, and original hard case.

Hey, how about the nicest, original, vintage Fender Paisley Telecaster on the planet? That would be pretty cool, right? Step right inside ladies and gentlemen, that's what we are offering today. As a veteran of 40 years attending guitar shows, being intimately involved in the vintage guitar world, I don't use phrases like the "nicest one" lightly. This guitar may have six months actual playing time, it is amazingly clean. There is no checking or finish discoloration that is usually found on these models. It is super clean. The only cosmetic flaws of note are two small chip on the edge of the back of the body. This a fine collectors grade instrument. It is 100% original, down to the last screw. It is uncirculated and hasn't been taken apart a million times. The maple neck is nicely flamed, it's really pretty. It is just so cool. The paisley finish is bright and vibrant. It has the original ashtray pickup cover, the neck feels fantastic. Last but not least, it sounds great. This is the best one I've seen, and I've seen a few. Comes with original case.

This SB-2 features a gorgeous Blue Metal Flake finish, with matching headstock!

Model: SB-2
Body Wood: Basswood
Body Finish: Blue Metal Flake
Headstock: Matching Blue Metal Flake
Bridge: Saddle-Lock
Neck Profile: G&L #8 Medium C (.820-.920)
Nut: Bone
Nut Width: 1 1/2"
Radius: 9.5" Radius
Neck Wood: Hard-rock Maple
Fingerboard: Chechen
Neck Finish: Satin Clear
Frets: Medium Jumbo
Neck Other: White Pearl Face Dots
Tuners: G&L Ultra-Lite
Neck Pickup: G&L MFD SB-1/2 Split Coil
Bridge Pickup: G&L MFD SB-2 Single Coil
Controls: Dual Volume Single Tone
Case: Deluxe Black Tolex

From the G&L Custom Shop!

Model: Legacy HSS RMC
Body: Okoume
Top: Buckeye Burl
Body Finish: Van Gogh Blue
Bridge: DF Vibrato
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard Rock Maple
Fingerboard: Chechen
Neck Finish: Gloss Clear
Frets: Medium Jumbo
Inlay: White Pearl Face Dots
Controls: 5-Way, Volume, Treble, Bass, Push/Pull
Neck Pickup: G&L CLF-100 Alnico 5 Single Coil
Middle Pickup: G&L CLF-100 Alnico 5 reverse wound
Bridge Pickup: G&L AW4368C
Tuners: G&L Standard
Case: Custom Shop Deluxe Black

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.