Search results for 'Fender mustang'

If you like dead spots on a bass, then sadly, this is NOT the bass for you. This bass has no dead spots, and thanks to the carbon fiber in the neck it never will. This bass sustains for days and plays like a dream. We are offering a 2008 ModulusVJ4 Vintage Jazz four string bass. This is a monster, pure and simple. It has passive pickups, a Fender Jazz Bass style body, Jazz bass style wiring. It sounds and plays great...really, that's no hype. If you're a stickler for intonation and tuning, you will be so happy. It's in near-mint condition. The frets have no indentations and show zero wear. This a top-notch, pro bass. Phil Lesh of the Dead played Modulus, as did their guitar player, Bob Weir. Comes with original hard case.

  It's a rare occurrence to come across a vintage guitar with provenance. Many guitars have stories, but few can be proved. The story behind this guitar is amazing, and is well documented. This prototype G&L ASAT Classic was built for Dale L. Hyatt who was a close friend and partner of Leo Fender in the G&L guitar company. Mr. Hyatt worked closely with George Fullerton and Leo Fender on designs. Mr. Hyatt kept prototype guitars in his office to get feedback from dealers and players, with the thought of using their input in future designs. This guitar is a prototype, made for Mr Hyatt in 1991. It has two features that are unique and non-standard. First is the intensely figured Birdseye Maple neck that is drop dead gorgeous. Hyatt had been working with Gulag Gidwani, the owner of an exotic wood supply company that specialized in providing high end woods to instrument manufactures. The wood on the neck was purchased specifically for this instrument from Gulag's inventory. The second unique feature is the special two-tone, black/chrome Schaller tuning machines. These tuners were out of a prototype batch of tuners made by Helmut Schaller and were custom made for Mr. Hyatt. 
  It was Mr. Hyatt who convinced Leo Fender to name this model "ASAT Classic" because he felt it was classic in the same vein as the ASAT, featuring more traditional specs. The guitar was kept by Mr. Hyatt after his retirement and later on passed to his son. It is mint, not tampered with, and unplayed. It is the only one on the planet. Comes with original G&L advertisement pages from the time, G&L brochure, a copy of the G&L handwritten production sheet from 1991 showing this guitar, documentation from Kenneth L. Hyatt, Dale's son, who still works for G&L, a photo of Mr Hyatt with the guitar, and original hard case.

Hey, how about the nicest, original, vintage Fender Paisley Telecaster on the planet? That would be pretty cool, right? Step right inside ladies and gentlemen, that's what we are offering today. As a veteran of 40 years attending guitar shows, being intimately involved in the vintage guitar world, I don't use phrases like the "nicest one" lightly. This guitar may have six months actual playing time, it is amazingly clean. There is no checking or finish discoloration that is usually found on these models. It is super clean. The only cosmetic flaws of note are two small chip on the edge of the back of the body. This a fine collectors grade instrument. It is 100% original, down to the last screw. It is uncirculated and hasn't been taken apart a million times. The maple neck is nicely flamed, it's really pretty. It is just so cool. The paisley finish is bright and vibrant. It has the original ashtray pickup cover, the neck feels fantastic. Last but not least, it sounds great. This is the best one I've seen, and I've seen a few. Comes with original case.

We have a really special Fender Stratocaster for you. So special that Fender said so on the headstock. We are proud to offer this Special Edition Fender Deluxe Stratocaster Flame Maple. Made in 2000. A very rare model that Fender only produced 150 of. It really is special and beautiful, with gorgeous, flame-maple front and back, alder body, maple neck, and rosewood fingerboard. Tobacco Sunburst finish. The neck has a comfortable 60's style "C" shape with medium profile, 9.5" fingerboard radius, and glossy vintage finish. The frets are in spectacular condition showing only the slightest hints of ever being played. The neck is straight and true. It's been professionally set up and everything works like it's supposed to. It shows some wear, the wear is cosmetic only with a few dings in the finish, please refer to the photos, overall the condition is excellent. Very loud and resonant when payed acoustically which is always the sign of a superior instrument. It sounds great, looks great, and plays great. It's a great Strat. What's not to love? Comes with original molded hardshell case.

Here we have a 2010 Fender Custom Shop Stratocaster NOS 1960 Reissue. This is a good one: the back of the maple neck is flamed out the wazoo, and it looks spectacular. It has a slab Indian rosewood fingerboard, three tone sunburst finish, and mint green pickguard. The bridge has been upgraded with a Wilkinson block, and the lead pickup is wired to the neck pickup's tone knob. I think it's a cool mod, but can be switched back easily if you wanted to. It shows some minor cosmetic wear. It has nicks and dings, nothing major, just enough to make it look cool (more like a Closet Classic). The frets are in near-perfect condition, showing only the slightest hints of being played. The neck is straight and true, with a 1-11/16" nut width and 10" radius...it feels great. This is a great playing and sounding guitar with a serious, vintage vibe. Comes with strap, certificate, and original brown tolex case.

This SB-2 features a gorgeous Blue Metal Flake finish, with matching headstock!

Model: SB-2
Body Wood: Basswood
Body Finish: Blue Metal Flake
Headstock: Matching Blue Metal Flake
Bridge: Saddle-Lock
Neck Profile: G&L #8 Medium C (.820-.920)
Nut: Bone
Nut Width: 1 1/2"
Radius: 9.5" Radius
Neck Wood: Hard-rock Maple
Fingerboard: Chechen
Neck Finish: Satin Clear
Frets: Medium Jumbo
Neck Other: White Pearl Face Dots
Tuners: G&L Ultra-Lite
Neck Pickup: G&L MFD SB-1/2 Split Coil
Bridge Pickup: G&L MFD SB-2 Single Coil
Controls: Dual Volume Single Tone
Case: Deluxe Black Tolex

From the G&L Custom Shop!

Model: Legacy HSS RMC
Body: Okoume
Top: Buckeye Burl
Body Finish: Van Gogh Blue
Bridge: DF Vibrato
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard Rock Maple
Fingerboard: Chechen
Neck Finish: Gloss Clear
Frets: Medium Jumbo
Inlay: White Pearl Face Dots
Controls: 5-Way, Volume, Treble, Bass, Push/Pull
Neck Pickup: G&L CLF-100 Alnico 5 Single Coil
Middle Pickup: G&L CLF-100 Alnico 5 reverse wound
Bridge Pickup: G&L AW4368C
Tuners: G&L Standard
Case: Custom Shop Deluxe Black

From the G&L Custom Shop!

Model: Legacy HSS RMC
Body: Okoume
Top: Quilted Maple
Body Finish: Sunrise
Bridge: DF Vibrato
Binding: Wood bound
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard Rock Maple
Fingerboard: Hard Rock Maple
Neck Finish: Satin Vintage Tint
Frets: Medium Jumbo
Inlay: Black Face Dots
Controls: 5-Way, Volume, Treble, Bass, Push/Pull
Neck Pickup: G&L CLF-100 Alnico 5 Single Coil
Middle Pickup: G&L CLF-100 Alnico 5 reverse wound
Bridge Pickup: G&L AW4368C
Tuners: G&L Standard
Case: Custom Shop Deluxe Black

Ask a bunch of pro guitarists, "What's the world's best guitar amp?" You'll get a lot of answers to that question, but I guarantee you on most people's list there will a Fender Deluxe. They are such great amps. Here we have a 1965 Fender Deluxe. It is non-reverb Blackface model and in excellent condition. Many prefer this non-reverb version as it has more headroom (just ask Mike Campbell). The speaker has been changed to a Celestion Vintage 30. It has just been completely gone through and is in tip top condition. Here's what was done: Internals completely cleaned. Wires cleaned. New F&T capacitors and Vishay power resistors of the correct value installed in filter circuit. Excess wire shortened and neatened. Chassis grounds done properly. Remaining electrolytic caps (bias and cathode bypass caps) replaced with new F&T and Vishay capacitors. The output transformer has been replaced. It is an original Fender Schumacker transformer and is dated 1968. It is the same transformer as would have come in the amp in 1965, with the only difference being the "1" and "8" on the end-cap of the label. Old solder removed, cleaned, and redone properly. Plate resistor replaced with 1/2W 220K carbon composite resistor. Replaced LFP caps with 1KV ceramics that won't fail. New three-pronged grounded power cable installed. AC wiring redone per safetly code. Old "death cap" removed from Ground Polarity circuit. So this amp is good to go. This is an awesome amp, perfect for small gigs or recording.

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.