Search results for 'Fender mustang'

Here's a 2016 PRS CE24 in a custom color -  Charcoal Metallic with Black neck. It's in amazing condition. Near mint. It has scarcely been played, but should be because it plays amazingly. The 85/15 pickups are tone machines that can play any type of music from jazz, blues, classic rock, all the way to metal. With the push/pull you can get a nice Fender style single coil tone out of the neck or bridge pickups. Another great feature that benefits the tone is the brass contact points where the strings go around on the locking tuners. Paul Reed Smith himself has stated that it leads to better tone and sustain. With 24 frets the CE24 has endless capabilities and is a great addition to any guitar collection! Comes with original papers and gig bag.

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Immortality, that's what humans have longed for since the beginning of time. Y. Sandoval has achieved immortality in a weird way. Who is this person? Well, we don't know much, but he or she worked for Fender in 1969, 1970, and perhaps longer. This person took pride in their work because the 1970 Fender Telecaster we have has a rubber stamp ink marker, "Wired By Y. Sandoval" stamped under pickguard. How cool is that? I've seen a 69 tele that has the same stamp. I love that. Here you are working a job, it's a paycheck, then almost 50 years later somebody calls you and says, "You did an excellent job wiring the Fender Telecaster I just got." That would have to make to you feel great. Here we have a 1970 Fender Telecaster. It's all original with a maple fingerboard. The pickguard is original with the pearloid pattern on one side. The pots are dated 1966 which is correct. There is some cosmetic wear: a scrape down to the wood on one side, various nicks and dings. Overall, it's clean, especially considering the age. The frets are fine. It plays great, and sounds fantastic. Thanks to the excellent wiring job by Y. Sandoval, the electronics work perfectly. This is a great Telecaster and comes with original hard case. With any luck you might hook up with Y. Sandoval and have a drink, and talk about your guitar.

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Heavily-aged Telecaster with premium lacquer finish Fender's classic Nocaster "U" neck profile serves up outstanding feel 9.5" radius let you bend up high without fretting out Tweed hardshell case included Learn More

  It's a rare occurrence to come across a vintage guitar with provenance. Many guitars have stories, but few can be proved. The story behind this guitar is amazing, and is well documented. This prototype G&L ASAT Classic was built for Dale L. Hyatt who was a close friend and partner of Leo Fender in the G&L guitar company. Mr. Hyatt worked closely with George Fullerton and Leo Fender on designs. Mr. Hyatt kept prototype guitars in his office to get feedback from dealers and players, with the thought of using their input in future designs. This guitar is a prototype, made for Mr Hyatt in 1991. It has two features that are unique and non-standard. First is the intensely figured Birdseye Maple neck that is drop dead gorgeous. Hyatt had been working with Gulag Gidwani, the owner of an exotic wood supply company that specialized in providing high end woods to instrument manufactures. The wood on the neck was purchased specifically for this instrument from Gulag's inventory. The second unique feature is the special two-tone, black/chrome Schaller tuning machines. These tuners were out of a prototype batch of tuners made by Helmut Schaller and were custom made for Mr. Hyatt. 
  It was Mr. Hyatt who convinced Leo Fender to name this model "ASAT Classic" because he felt it was classic in the same vein as the ASAT, featuring more traditional specs. The guitar was kept by Mr. Hyatt after his retirement and later on passed to his son. It is mint, not tampered with, and unplayed. It is the only one on the planet. Comes with original G&L advertisement pages from the time, G&L brochure, a copy of the G&L handwritten production sheet from 1991 showing this guitar, documentation from Kenneth L. Hyatt, Dale's son, who still works for G&L, a photo of Mr Hyatt with the guitar, and original hard case.

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Hey, how about the nicest, original, vintage Fender Paisley Telecaster on the planet? That would be pretty cool, right? Step right inside ladies and gentlemen, that's what we are offering today. As a veteran of 40 years attending guitar shows, being intimately involved in the vintage guitar world, I don't use phrases like the "nicest one" lightly. This guitar may have six months actual playing time, it is amazingly clean. There is no checking or finish discoloration that is usually found on these models. It is super clean. The only cosmetic flaws of note are two small chip on the edge of the back of the body. This a fine collectors grade instrument. It is 100% original, down to the last screw. It is uncirculated and hasn't been taken apart a million times. The maple neck is nicely flamed, it's really pretty. It is just so cool. The paisley finish is bright and vibrant. It has the original ashtray pickup cover, the neck feels fantastic. Last but not least, it sounds great. This is the best one I've seen, and I've seen a few. Comes with original case.

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Here we have a 2010 Fender Custom Shop Stratocaster NOS 1960 Reissue. This is a good one: the back of the maple neck is flamed out the wazoo, and it looks spectacular. It has a slab Indian rosewood fingerboard, three tone sunburst finish, and mint green pickguard. The bridge has been upgraded with a Wilkinson block, and the lead pickup is wired to the neck pickup's tone knob. I think it's a cool mod, but can be switched back easily if you wanted to. It shows some minor cosmetic wear. It has nicks and dings, nothing major, just enough to make it look cool (more like a Closet Classic). The frets are in near-perfect condition, showing only the slightest hints of being played. The neck is straight and true, with a 1-11/16" nut width and 10" radius...it feels great. This is a great playing and sounding guitar with a serious, vintage vibe. Comes with strap, certificate, and original brown tolex case.

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This SB-2 features a gorgeous Blue Metal Flake finish, with matching headstock!

Model: SB-2
Body Wood: Basswood
Body Finish: Blue Metal Flake
Headstock: Matching Blue Metal Flake
Bridge: Saddle-Lock
Neck Profile: G&L #8 Medium C (.820-.920)
Nut: Bone
Nut Width: 1 1/2"
Radius: 9.5" Radius
Neck Wood: Hard-rock Maple
Fingerboard: Chechen
Neck Finish: Satin Clear
Frets: Medium Jumbo
Neck Other: White Pearl Face Dots
Tuners: G&L Ultra-Lite
Neck Pickup: G&L MFD SB-1/2 Split Coil
Bridge Pickup: G&L MFD SB-2 Single Coil
Controls: Dual Volume Single Tone
Case: Deluxe Black Tolex

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From the G&L Custom Shop!

Model: Legacy HSS RMC
Body: Okoume
Top: Buckeye Burl
Body Finish: Van Gogh Blue
Bridge: DF Vibrato
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard Rock Maple
Fingerboard: Chechen
Neck Finish: Gloss Clear
Frets: Medium Jumbo
Inlay: White Pearl Face Dots
Controls: 5-Way, Volume, Treble, Bass, Push/Pull
Neck Pickup: G&L CLF-100 Alnico 5 Single Coil
Middle Pickup: G&L CLF-100 Alnico 5 reverse wound
Bridge Pickup: G&L AW4368C
Tuners: G&L Standard
Case: Custom Shop Deluxe Black

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From the G&L Custom Shop!

Model: Legacy HSS RMC
Body: Okoume
Top: Quilted Maple
Body Finish: Sunrise
Bridge: DF Vibrato
Binding: Wood bound
Neck Profile: Modern Classic (.820"-.870")
Radius: 9.5"
Nut: Bone
Nut Width: 1 11/16"
Neck Wood: Hard Rock Maple
Fingerboard: Hard Rock Maple
Neck Finish: Satin Vintage Tint
Frets: Medium Jumbo
Inlay: Black Face Dots
Controls: 5-Way, Volume, Treble, Bass, Push/Pull
Neck Pickup: G&L CLF-100 Alnico 5 Single Coil
Middle Pickup: G&L CLF-100 Alnico 5 reverse wound
Bridge Pickup: G&L AW4368C
Tuners: G&L Standard
Case: Custom Shop Deluxe Black

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Ask a bunch of pro guitarists, "What's the world's best guitar amp?" You'll get a lot of answers to that question, but I guarantee you on most people's list there will a Fender Deluxe. They are such great amps. Here we have a 1965 Fender Deluxe. It is non-reverb Blackface model and in excellent condition. Many prefer this non-reverb version as it has more headroom (just ask Mike Campbell). The speaker has been changed to a Celestion Vintage 30. It has just been completely gone through and is in tip top condition. Here's what was done: Internals completely cleaned. Wires cleaned. New F&T capacitors and Vishay power resistors of the correct value installed in filter circuit. Excess wire shortened and neatened. Chassis grounds done properly. Remaining electrolytic caps (bias and cathode bypass caps) replaced with new F&T and Vishay capacitors. The output transformer has been replaced. It is an original Fender Schumacker transformer and is dated 1968. It is the same transformer as would have come in the amp in 1965, with the only difference being the "1" and "8" on the end-cap of the label. Old solder removed, cleaned, and redone properly. Plate resistor replaced with 1/2W 220K carbon composite resistor. Replaced LFP caps with 1KV ceramics that won't fail. New three-pronged grounded power cable installed. AC wiring redone per safetly code. Old "death cap" removed from Ground Polarity circuit. So this amp is good to go. This is an awesome amp, perfect for small gigs or recording.

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In the late 1970s, Clarence Leo Fender was looking forward to launching his new G&L brand featuring his latest innovations including Magnetic Field Design pickups and the Saddle Lock bridge. Leo developed these technologies at his CLF Research company, and production of the new G&L instruments took place in the CLF Research factory on Fender Avenue in Fullerton, California, where G&L production continues today.
The new CLF Research L-2000 is a fully modern "2k" that pays homage to its roots with classic details including the early CLF/G&L headstock and neck profile, beautifully reproduced CLF knobs and '81 control plate, and color-coded mini toggle switch tips.

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